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Congratulations! Mike Long Is a Finalist in 2 Categories in the National Indie Excellence Awards

Cover of Leadership Principles of the American Mafia by Mike Long

Congrautlations to author Michael Long, whose book Leadership Principles of the American Mafia: A Bohemian Journey Through the Birth of the Underworld has been selected as one of three finalists in the Twentieth Annual National Indie Excellence Awards (NIEA), in the category of Multicultural Nonfiction AND as a finalist in the category of True Crime.

Mike’s book explores the history of organized crime in New York City from the late nineteenth through the first half of the twentieth century. Structured to show the chronological progression of crime as the city grew and expanded, the book also dives into NYC’s many culturally influenced criminal organizations (Jewish, Italian, Irish, and African American), as well as highlights the contributions of women to the New York underworld. With dozens of images, readers experience a delightful visual enhancement to Mike’s engaging, well-researched storytelling.

Mike and editor Cortni Merritt worked together on this title in several rounds of development over nearly two years. A passion project of Mike’s for many years before they connected, he came to Cortni with a solid working draft, which they put through multiple rounds of developmental edits before performing a thorough process of line editing and proofreading.

The National Indie Excellence Awards was founded in 2007 to celebrate self-published and independently published books in a wide range of genres. The Awards champion books that put forth great care and quality, authors who go the extra mile to “produce books of excellence in every aspect.”

Congratulations to Mike and to all of this year’s recipients and finalists of the NIEA !

See all finalists here: https://www.indieexcellence.com/20th-annual-finalists

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Editor’s Pick: Book Recommendations for Veterans Day

Close up of American flag on a blurred background; offering discounts to veterans beginning Veterans Day 2024

Every year on November 11, we honor the veterans who have served and sacrificed for our country. This year, I’d like to offer a short list of book recommendations for veterans you know, or if you are interested in military history and literature.

First and foremost, please, take time to thank and hug a veteran today. Their service and their sacrifice deserve to be remembered every day of the year.

As a daughter, sister, and longtime partner of military service members, veterans from all branches hold a special place in my heart. Whether it’s a story of service by land, by air, or by sea, tales of military life add value to many book genres and categories. Often, when we think of books by veterans or about military life, we think of memoirs of famous generals or wartime leaders, but books that feature our brave men and women in uniform come in many varieties and in practically every genre.

While, of course, I could put together a list of some well-known bestsellers that I recommend, today, I’d like to make some quieter suggestions of books I’ve read in the past couple years, written by lesser-known authors, that both celebrate the many and varied lives of veterans and that touched me deeply and personally.

Of course, due to the nature of some content, reader discretion advised.

Jakovenko: From the Steppes of Ukraine to the US Army Ranger Hall of Fame

 

Jakovenko: From the Steppes of Ukraine to the US Army Ranger Hall of Fame book cover

Jakovenko: From the Steppes of Ukraine to the US Army Ranger Hall of Fame

⭐⭐⭐⭐⭐

By: Vladamir “Jake” Jakovenko

Veteran Memoir Recommendation

Tagged: adventure, Vietnam, military lit, memoir, special ops, fatherhood, immigrant author

Jake’s tale is a wild one, full of honor, bravery, humor, and incredible resilience during a thirty-year career. As a US Army Ranger, now inducted into the Ranger Hall of Fame, Jake completed two tours in Vietnam, was a SCUBA team combat diver, and performed counter-terrorism special operations. His funny and poignant tell-all provides fresh insight and honesty alongside a sense of adventure that kept me guessing what would happen to him and where he would end up next.

If you’re looking for a riveting true-life action-adventure story, check it out.

Eighty-6: My Father, Who Art in Heaven, Hallowed Be Thy Name…on This Dark Path My Father, Allow My End to Be Granted with Light. Amen

 

Eighty-6: My Father, Who Art in Heaven, Hallowed Be Thy Name...on This Dark Path My Father, Allow My End to Be Granted with Light. Amen. book cover.

Eighty-6: My Father, Who Art in Heaven, Hallowed Be Thy Name…on This Dark Path My Father, Allow My End to Be Granted with Light. Amen.

⭐⭐⭐⭐

By Derrick Pickney

Inspirational Veteran Memoir Recommendation

Tagged: veteran, military lit, memoir, Black author, inspirational

A Purple Heart recipient, Derrick shares his stories of bravery and true lessons learned in childhood, on the front lines, and after coming home. As Derrick analyzes, many veterans like himself suffered traumatic experiences in childhood that primed them for their years of military service, and which is then complicated by that service. When those veterans return home, and once their enlistment ends, they may feel unprepared for the challenges of civilian life, including processing of their traumas. Although it is a difficult challenge, Derrick has chosen to attempt to give outsiders an understanding of this complex cycle of trauma in military veterans from his position within it.

If you’re looking for a thought-provoking journey of reflection on hard truths, check it out.

Vietnam From 35,000 Feet: A Stewardess Story

 

Vietnam from 35,000 Feet: A Stewardess Story by Joan DeRosa

Vietnam From 35,000 Feet: A Stewardess Story

By Joan Derosa

⭐⭐⭐⭐

Tagged: romance, military lit, women’s lit, based on true experiences 

At the height of the fighting in Vietnam, one American airline remained assigned to the route of shuttling soldiers to, and body bags from, the battlefields. Based on true experiences, this novel follows Christina as she stewards these soldiers through this moment in history, splitting her time between being airborne and as a volunteer Red Cross nurse. From this unique perspective, she bravely faces it all. With the drama of war around her, she can’t stop herself from falling for a handsome reconnaissance air force pilot, and there’s nothing like danger to fuel the flames of passion and young love. Full of tragedy, heroism, a touch of humor, and a unique perspective on patriotism, this novel will grab ahold your heart.

Do You Have a Book Recommendation for Me?

So that’s it! My short list of book recommendations for Veterans Day 2025.

If you have suggestions for me, I’d love to hear them! Leave a comment below about what you think I should add to my To Be Read list.

Happy reading.

10% Discount for Military Veterans

The service and sacrifice of all military service members should be honored every day of the year. This is one reason why SRD Editing Services offers a 10% discount on all editing services to active duty or veteran military service members from any branch.

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CMS Citation for Nonfiction Writers: Use IMDB for Film Citations

CMS citation example: showing paper with question and footnote joke.

When you’re writing nonfiction, it’s important to cite the sources of your information. Back in the day, it used to only be acceptable to include citations for books and journals, but not any more! Today’s Chicago Manual of Style (CMS) citation references include not only books and journals but websites, magazines, social media, and even film sources.

While you sometimes might want to include a quote or information that you came across in a fictionalized movie, there are also plenty of nonfiction films, such as documentaries or biopics, that you may want to include in your bibliography. When that’s the case, you can use the Internet Movie Database (IMDB) to find out all the details and fully cite your source appropriate to Chicago, MLA, or APA style – although this blog is going to focus mostly on Chicago.

Now: please note, the 18th edition of the Chicago Manual of Style was just released earlier in August 2024, but this blog will continue to elaborate on the specifics of the 17th edition, as that is still the mostly commonly used across many commercial publishers. Subscribe to the SRD Editing Services blog to be among the first to know about the 18th edition updates!

Film vs. Online Video

No matter what style guide you’re using, when you’re citing video, you will want to check whether the format of the video matters. For Chicago citation style, website videos – such as TedTalks, YouTube videos, or videos posted to social media – are cited differently than films that are released in offline formats first. 

For website citations, you’ll include some of the same information, such as the title of the video and the year it was published, but you’ll indicate to your reader that the source is specifically a video by including the word “video” in square brackets. Check the full details on Chicago citation style for websites for examples. 

CMS Citation for Film

When it comes to citing a film, you can think of what qualifies as a “film” by whether it is a production that requires a professional crew, a script, a studio or shots done on location, and other standards of film production that predate the internet and its distribution of film materials. 

So, for example, you may watch a movie on the web browser on your computer through a site like Netflix or Hulu, but if it’s a fully produced movie that you could also have gone to see in a theater or purchased a DVD copy, you wouldn’t cite it as a website video. 

Similar to an online video, the CMS citation for a film will include the title, the year it was released, and some of the production information, but the citation for a film will ask for a bit more than a website citation. 

Here’s what the Chicago manual has to say about including identifying information.

14.265: Video and film recordings

“Citations of video and film recordings…will vary according to the nature of the material….Any facts relevant to identifying the item should be included. Indexed scenes are treated like chapters and cited by title or by number. Ancillary material…is cited by author and title.” 

For both Notes/Bibliography style and Author-Date style, the Bibliography element will be the same. If you are referencing the whole movie, don’t include the “scene title;” that is only necessary to include if you are directing your reader toward a particular scene in the film.

“Scene Title in Title Case,” Title of Movie or Film, directed by FirstName LastName (Year; Location of studio headquarters: Film Studio Name, version date), Media or timestamp. 

Example: 

“Crop Duster Attack,” North by Northwest, directed by Alfred Hitchcock (1959; Burbank, CA: Warner Home Video, 2000), DVD. 

For the Note in Notes/Bibliography style citation, include the director’s name, the title of the film, and, where applicable, a timestamp of the moment to which you’re referring. This is similar to how the Chicago citation for books would include a page number or page range in the note. For shortened notes, include only the director’s last name, a shortened version of the title, and the timestamp. 

For an Author-Date style CMS citation, throughout the text, include only the director’s last name and the date of the film’s publication in the parentheses.  

If you have the DVD, the case may include most of the information you need, but if you don’t have the DVD case or it doesn’t have the details, IMDB is the place to go.

Special Cases for CMS Citation of Films

Of course, there are occasional situations where more or different information may be required. If a film doesn’t have a named director, for example, you could include a producer or lead actor’s name. If the film has been translated from a foreign language or distributed by different companies in different countries or for various editions, you may have to include some details about the translator or which version of the movie you’re citing, especially if you’re drawing attention to differences between the versions. (This is similar to how a Chicago citation for a book that has been translated or reprinted is cited as well.)

Ask Your Editor for Details on CMS Citation

So that’s a quick overview and the basics of CMS citation for films. When you’re writing fiction (especially historical fiction), you don’t need to include sources for material, although you can include information in an author’s note if you’d like. But when your book is nonfiction and you’ve taken the time to do the research, include the sources in a full bibliography. When you’re not sure how to cite, make sure to ask an experienced editor!

Talk to an editor about CMS citations

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Tips for Writing a Memoir

Black and white image of typewriter with hands on keys; tips to write a memoir

I enjoy a good memoir. Reading or listening to the stories of real people’s lives, especially told in the person’s own voice and style, can be one of the most pleasant and inspiring experiences. As a long-time and widely read editor of this genre, I have put together the following list of tips for writing a memoir. These should help smooth the process, whether you’re writing your own story or ghostwriting someone else’s.

Tips for Writing a Memoir No. 1: Solid Framework

Step 1: Draft a disclaimer for your imprint page.

Hear me out. Of course, I think you should start with an outline and a basic story structure. But I’m a planner, so that’s my advice for any book. Specifically when you write your memoir, I think you should start by drafting your disclaimers. 

Often, people are nervous that something they say about someone will become a potential problem. This is a very real legal concern. The legal ramifications for libel (publishing untrue and disparaging remarks about another person) can be severe. Of course, I want you to avoid this. 

On one hand, “If people wanted you to write warmly about them, they should have behaved better,” (easy for Anne Lamott to say!), but of course it’s more complicated than that in real life. 

What is generally advisable is to include a disclaimer on your imprint page (copyright page) as well as online excerpts of your material to say that you are telling your story and your interpretation of events that happened in your life to the best of your knowledge and memory. 

You might change people’s names or other identifying details to help protect their identity, if that’s what you choose to do. And if you choose to do that, then include a disclaimer telling your readers that’s what you did. 

Need some examples to work from? Here are some examples of legal disclaimers for your nonfiction book. 

Of course, this doesn’t have to be the final draft. But just to warm up your brain and get you thinking about what you’re going to write and who you’re going to include in your story, spend an hour or so drafting any and all disclaimers you think you’ll need for your memoir.

Step 2: Draft the introduction

I know you want to jump right into telling your story, but make sure you have the framework in place first. My second step in the first of my tips for writing a memoir is to outline and draft your introduction. 

Generally, I’d recommend an introduction that’s two to three pages for the final draft, so for this first draft, just aim for a page. Page and a half maybe. 

In your introduction, you want to grab the reader’s attention at the beginning, which is often done with a “hook” story. An inciting incident. Something that makes them want to know more. If you can tell an interesting, impactful, emotional story in a paragraph or two, you’ll grab them and pull them right into the rest of your book. 

Then, give them a big picture overview. A paragraph or two about who you are and why you decided to write this book. What’s your big idea? The main lesson you learned? What is compelling you to share your wisdom, your humor, your vulnerability (etc.) with them? Spend a little time introducing yourself, but more importantly, be clear and focused about the purpose and intention behind your writing. 

Then, promise them something. What will they get out of your book? What’s in it for them? Promise to entertain, to delight, to inform, to educate, to open a new perspective, to inspire … promise them some kind of verb. It doesn’t have to be over-the-top life changing. But promise them that they’ll know more or have fun. Something personal. 

Now when you write your memoir, you’ll have a clear sense of purpose and a goal to align your content with. Refer back to this draft of your introduction as often as you need to. And of course, after you’ve written the main chapters of your story, go back and revise and finalize this introduction so it not only aligns with what you wrote but so that it says everything you want it to say.

Step 3: Draft the conclusion

I know what you’re thinking: “I came here for tips on how to write my memoir, and you’re talking about framework materials!” 

Look, I know you know your story. You’ll get to that part, I promise. 

But first, draft a page-long conclusion “chapter.” Keep it focused.

Imagine you’re at the end of your writing journey. How do you want to say good-bye to your reader? 

This is your chance to thank them for their time and for joining you on this journey. Tell them how much you appreciate them reading your book. Remind them of the goals and intentions from the introduction and express your hope that they agree the goals were met. 

Then, invite them to connect with you and any other examples of your work online. Include contact information, info for social media and other websites, and anything else you want them to know about where they can find you (events, web courses, other businesses, etc.). 

Of course, if you haven’t set this up yet, don’t worry about it. Put in placeholder text because you’re going to finalize this for real after you write the book anyway. 

Wire framed glasses, dried flowers in a vase, and a handwritten note on a table; use ambiance to write your memoir

Tips for Writing a Memoir No. 2: Balance Truth and Fiction

Second in my tips for writing a memoir is to remember to have some fun with it. Yes, it’s the story of your life, and parts of it may be heavy. But it’s also your time to shine. Your time to tell the world who you are and what you stand for. Your chance to showcase your growth, your talents, and your passion. Take the license to be a bit creative when you need to be…and check out my Tips for Writing Your First Draft

Step 1: Prepare your notes

Now that I’ve advised you on how to build the framework when you start to write your memoir, I can give you my best tips for creative writing in this genre. 

The truth is that memory is notoriously faulty. (Oh, I’m sure. Not your memory, of course…) The first place to begin is your own documentation. Old journal and diary entries, correspondence (including emails or message threads), and video or photo archives are good places to start your own research. 

Sitting to look through all of this can be overwhelming and distracting. Don’t start by diving in. Instead, when you’re writing a chapter, scene, or retelling of something that happened, make note of when you can recall something in your archives that will help you confirm the details. Then later, at a separate time, you can dig through and find your source or reference materials. 

For example, let’s say you want to write about your wedding day. (Forgive me, it’s an easy example). You want to include details about what people were wearing and how old certain people were; you want to include some of the drama of the planning process and what happened after the Big Day. 

Well, you write the scene, and you make an accompanying list of all the places you can double-check yourself on the details: photo collections, emails from certain people in the days leading up to or following the event, family members and friends’ social media posts. Now you have a narrow list of places to check for specific details. Of course, in your research, you may find other details you’d forgotten that you wanted to add, or other info you’d like to change. But that’s what revision is for. 

But preparing your notes before you dig into your own archives can save you a ton of time in the research process

Step 2: Prepare to interview

One of the richest resources for knowledge and perspective that any of us have in our lives is other people. When writing your memoir, consider who else participated in some of the big (or small) moments of your life, and with whom could you confirm the information and discuss your portrayal of events and experiences. 

You may be thinking, “What? I don’t want other people’s words to write my memoir for me. I want to use my own words.”  

Of course, you want people’s input. You want their enhanced perspective to fill in gaps in your knowledge or inform your reflection and discussions about long-term results of things that happened. But don’t feel obligated to include all the information from every interview. You simply can’t. You’ll have to fine-tune what is said so it weaves into your narrative, and some information or people’s perspectives simply may not fit. 

On the practical side of my tips for writing a memoir, I advise creating documentation of your interviews. Record any in-person or virtual voice-to-voice conversations and have them transcribed so you can edit them in where needed. Otter.ai is an excellent resource for this, and you could certainly hire someone to proofread the transcript for you before you begin working with it.

Step 3: Think of memoir like time travel

Now you have all these notes and you have words from others about what happened or what they think happened. You’re getting closer to having a whole story to tell. 

That’s what makes a great memoir more than just a collection of facts about a person’s life – it’s the story of how those facts and events and circumstances and reactions all came together to result in something (someone) who does things differently and who has something to teach: You! 

The best memoirs creatively retell the most important events and balance between the stories that took place in the past and the current version of the person reflecting on the lessons learned or how that event influenced them in the long term. There are different ways to do this, and among my best tips for creative writing is that you figure out what process and structure works for you. 

Some save all their reflection for chapters toward the end of the book; some have a section at the end of each chapter that reflects on the events discussed in that chapter; some interweave or jump forward and backward in time. It all depends on your style, but make sure while you’re writing that you include some narrative about you now, today, as a writer, reflecting on what happened and telling your reader what you hope they learn from it.

What Are Your Top Tips for Writing a Memoir?

The most common writing advice you’ll read — like, show don’t tell and balance between narration, action, and dialogue — applies to whatever you write, but specifically, these are my best tips for writing a memoir. What are yours? Share them below! Memoir is a unique genre that allows a writer to combine their storytelling talents with a little bit of research into facts of personal history. But when you write your memoir, you get to tell your story your way, which is invaluable. Hopefully these tips make the process a bit easier and even maybe a bit more fun! 

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Writers Talking Writing: Creative Writing Advice from Questlove

Cover of the book "Creative Quest" by Questlove, full of excellent creative writing advice

Last year, I had the pleasure of listening to several audiobooks from some amazing writers, several of who provided excellent creative writing advice. In today’s blog, I want to highlight some of the best creative writing tips and techniques from the book Creative Quest, by the very talented Questlove.

Why is Creativity Important? According to Questlove

It might seem like the value of creativity is obvious (at least, to those of us who love great writing), but in the mind of a creative genius who writes in both words and musical notes, the importance may be slightly different than what people might assume. 

In this book, Questlove emphasizes the value of self-expression, describing how creativity allows people to express themselves and their unique perspectives. By utilizing your creativity, you may find means of communicating emotions, thoughts, and experiences that may be difficult to convey. Allowing ourselves room to explore creative solutions to problems is crucial for development in many fields, not only our artistic endeavors. Creativity allows us to address complex challenges and come up with novel solutions.  

Engaging in creative endeavors can also bring us personal fulfillment and satisfaction and fosters personal growth. Creating something original and meaningful is deeply rewarding and can boost your self-esteem and feelings of connectedness with the world. Through creative and artistic expression, we can transcend cultural and linguistic boundaries. Our creativity can connect us, bridging gaps to convey ideas and emotions in ways that resonate with others. As we push our own boundaries, take risks, and learn from our experiences, we challenge ourselves to always be improving and learning. 

Additionally, creativity shapes and enriches culture. Artists and creators are the architects of cultural evolution, and their contributions have lasting impacts on society. Innovation and progress are driven by creative and critical thinking in many fields, including technology, science, and business. It leads to the development of new products, services, and ideas that can transform industries and improve lives. 

Lastly, our creativity brings joy and inspiration to both ourselves as creators as well as our audiences. The joy of experiencing art, music, literature, and other forms of creative expression is a fundamental part of the human experience.

While Questlove’s opinions and views may not be specifically creative writing advice, his overall analysis on what makes creativity important as part of the human experience is essential for everyone, whether you consider yourself creative already or are trying to improve your creative skills. 

Check out this interview with Questlove, “In Pursuit of the Creative Life.  

Top 5 Creative Writing Tips and Techniques from QuestLove

Creative Quest offers a range of creative writing advice, emphasizing the creative process and artistic expression. But his top five tips for creative writing boil down to these:

Tips for Creative Writing: #1. Embrace Collaboration

Working with others can enhance your creativity and help you find new perspectives. In particular, Questlove stresses the value of working with others because it can bring fresh ideas and perspectives to your creative process. Collaboration can challenge your assumptions, lead to unexpected breakthroughs, and create a sense of camaraderie that fuels your thoughts and imagination when writing alone. Whether you’re a book writer working with an editor, a screenwriter collaborating with a team, or a musician jamming with other musicians, learning to work with a team is a key aspect of the creative journey.

Tips for Creative Writing: #2. Find Your Voice

It’s essential to develop a unique and authentic artistic voice. As Questlove emphasizes, authenticity is key in creative work. Discovering and nurturing your unique voice or style sets you apart from others and helps you resonate with your audience. This process involves self-discovery and self-expression, and he gives the creative writing advice that you should draw from personal experiences and emotions or on the observations you make about the experiences and emotions of others.

Tips for Creative Writing: #3. Continuous Learning

You must constantly seek inspiration and expand your knowledge to keep your creativity high. The book promotes the idea that creativity is an ongoing journey. Questlove suggests that you should never stop seeking inspiration and expanding your knowledge. This means being curious, exploring new fields, and being open to diverse influences. Continuous learning keeps your creative wellspring from running dry.

Tips for Creative Writing: #4. Overcome Creative Blocks

Everyone encounters creative blocks (or “writer’s block”). They are common, and everyone needs creative writing advice and strategies for overcoming these obstacles. These strategies can include changing your environment, seeking inspiration from other art forms, or simply embracing moments of boredom and frustration as part of the creative process. By acknowledging and addressing these blocks, you can keep your creativity flowing.

Check out our blog on Oblique Strategies, an app that can help when you experience writer’s block.

Tips for Creative Writing: #5. Creativity in Everyday Life

Lastly is the most straightforward of the book’s creative writing advice: find creativity in your everyday experiences! Your own life is often the best source of inspiration. Be present and observant; take note of small details; and draw from the people, places, and moments around you. Creative ideas can be born from the most ordinary of circumstances, and the ability to recognize their potential is a valuable skill.

Does Creativity Contribute to Success?

Yes! Absolutely. Questlove offers excellent creative writing advice for achieving success in the artistic fields. 

To achieve at a high level, you must consistently work on your craft. Success often comes from putting in the time and effort to hone your skills and create a body of work over time. Maybe you’ve heard the saying that it takes years to become an overnight success. Or maybe you’re familiar with the idea that something like success happens “a little a time, then all at once.” The more consistent you are, the more ready you’ll be when it happens. 

Of course, to be successful in any creative endeavor, you must have a deep passion. True success often stems from a genuine love for what you do, which can sustain you through challenges and setbacks. If you truly love what you do, you’ll have to learn to take risks at it. Push your boundaries. Success can come from venturing beyond your comfort zone, embracing the unknown, and being adaptable. In the ever-evolving creative landscape, the ability to adapt to change and stay relevant is crucial. Success often involves embracing new technologies and trends while staying true to your vision.

As you begin to build a business, an author platform, and a brand around your writing, you will have to network and build relationships. Not only for marketing, promotion, and audience connection but also for potential and opportunities to collaborate with others. Success is often intertwined with building and maintaining relationships in your creative community, which is why it’s essential among creative writing tips and techniques. Learning from mentors and studying the work of those who inspire you is a valuable path to success. Mentorship and a willingness to learn from others can accelerate your growth. There is a high value and long-term results in networking, collaborating with others, and supporting your peers. However, it is a delicate balance between the creative process and the business side of art. In this book, Questlove offers advice on how to navigate the entertainment industry, negotiate deals, and protect your creative integrity.

Lastly, try to recognize that success is not just about external recognition but also about self-awareness and self-care. It’s important to reflect on your work, maintain your well-being, and find your own measures of success.

These pieces of creative writing advice underscore that success in the creative world is multifaceted, and it’s not solely about fame or fortune. It’s about finding fulfillment in your work, making meaningful contributions to your chosen field, and continuing to evolve as an artist. Success is a journey that involves a combination of hard work, passion, and a willingness to adapt and grow.

The Invaluable Value of Creative Writing Advice

Now, I’ve highlighted some of the key elements I found in the book Creative Quest, but if you’re looking for a great read, there’s a lot more to be learned. It offers a holistic approach to nurturing and enhancing your creative process, emphasizing that it’s not just about the end product but also about the journey and the mindset. The best piece of creative writing advice is to remember that creativity is a fluid and dynamic process that can be nurtured and cultivated over time.

Need personalized writing advice?

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Cost to Self-Publish a Book

Graphic design image of hands exchanging ebook for money; symbolizes the cost of self-publishing a book

What Does it Cost to Self-Publish a Book?

 As an editor with more than ten years of experience, I can’t tell you how many times writers have asked me, “What does it cost to self-publish a book?” Although it seems like a straightforward enough question, the simplest answer is “It varies,” but writers are seldom satisfied with that. 

You will find a range of numbers online or hear stories from other writers of what they paid. Or, stories of what they didn’t pay for and regretted not having done professionally. 

The reality is that it depends on so many factors and individual decisions, and there is no one-size-fits-all solution. The biggest factor and what the cost to publish a book really comes down to is this: How much of the work do you want to do yourself, and how much of the work will you hire out to separate professionals or purchase a package from a service? 

I don’t think I can answer every single question about the cost of self-publishing in a single blog, but for what it’s worth, I will try to provide some basic information to give you the food for thought that will help you in your publishing journey.

How to Calculate Your Cost of Self-Publishing

Let’s go through some of the common steps of the publishing process and look at how that relates to the cost to publish a book. You can learn how to execute any of these steps in the process and save a line item in your self-publishing budget, but based on your time, resources, or prior knowledge or experience, it might make sense to hire professionals for some services and take on others yourself. In hiring professionals to fill in your own gaps in knowledge or expertise, you can greatly reduce your cost to self-publish a book. 

The publication process can include:

To save money upfront, you can certainly take on any of these steps yourself. As in any startup business, the self-published author has to wear several hats and perform many duties. Of course, for the most professional final product or the greatest return on your investment, hiring professionals for some parts of the process may be the right decision.

When Prioritizing Costs of Self-Publishing…

Now, I can’t advise you how to spend your own money. Obviously, you have worked hard on your manuscript, and as an editor and book lover, I think your manuscript deserves the best that you can give it when being launched.

My main piece of advice is: Think through everything. 

Every decision you make can affect your cost to self-publish a book, especially how much you pay out of pocket. 

During the writing process, many authors continue to see their book as their baby. They have such an emotional attachment to it. At this point, it’s time to switch over and begin to see your book as a product. You have to sell it. Which means you have to begin to think like a business person and not like a protective parent. 

Don’t learn by trial and error or get halfway into a step in the process and refuse to pivot when a challenge arises. Make decisions and a plan based on the best information you can find, then remain a little flexible for the journey. Having a plan at the onset can save you time and frustration and reduce your cost to publish a book. 

And, if you can build a 10% cushion into your budget to deal with unexpected expenses, do it.

"Shop Your Comps" (Competitors/Comparable Products)

Book cover with black and white image of books on a bookcase with yellow text "Sell books"

One of the first things I learned in sales more than twenty years ago is to always “shop your comps.” Now, “comps” might be short for “competitors/competition” or “comparables,” depending on who you’re speaking with. When evaluating your costs of self-publishing, you may even have to consider that you have different comps in different formats (i.e., ebooks may have different comps than printed books, even in the same genres). 

Although I know you’re likely thinking in terms of ebooks published to Amazon KDP and other platforms, consider this when thinking about your book’s comps: 

If you walked into a literal bookstore and found your book on the shelf, what would you expect to find next to it? 

If your book is a historical romance set in 1860s London with a feminist female lead character…then you should shop for other historical romances set in the 1860s (hopefully in London), with feminist female lead characters. If your book is a memoir that describes your rags-to-riches success story, your comps are other memoirs that detail the same kind of success story, perhaps even from someone with a similar background to yours. 

It may seem like a strange way to shop or a strange step to take when considering the cost to self-publish a book, but this is how your readers are finding books. If they leave a review or show interest in a particular book, the algorithm on Amazon will show them more products that are similar to ones they’ve already liked. Readers also tend to browse by categories and genres of books they already know they like, so if yours stands out “next to others on the shelf” (literally or metaphorically), your book has a better chance to sell. 

So, go to Amazon and search through the categories and genres in which you plan to publish. Don’t look just at the big-name bestsellers you’ve heard of before, but filter your search results to see the best-reviewed books, most recently released books, and books recommended based on others you’ve read or know.

Your book should “look” as much like the competition as possible. Take note of the cover artwork and interior design and formatting (if you can get a sneak peek into the book). Take a look at the back cover or online description and author bio.

Apply a critical researcher’s eye. What do you see? 

Is it common to see clean copy in the book descriptions or do you notice typos and errors? Do the covers look similar? Can you tell which covers are professionally designed and which are more likely done by an amateur? Are a lot of your comps published in multiple formats (ebook, audiobook, paperback, hardcover, etc.), or is it pretty common to see others in your category exclusively in one format? What do the reviews look like? What are some readers’ biggest points of praise and complaint? 

 Then in big-picture terms, start applying these ideas to your thoughts on budget and cost of self-publishing. Addressing or thinking ahead about the following can help you reduce some of those costs or get the most value out of what you pay: 

  • What would make your book more appealing than theirs? 
  • How would yours stand out as different? 
  • Could you add a subtitle? (are subtitles common in your genre?) 
  • How can you craft your online description/back cover copy to both fit in and stand out among your comps? 
  • Would a blurb from another author in your genre be helpful or welcome or do the readers in your genre steer clear of that kind of promotion?

Remember, these books are your competition. Readers might scroll past one of these books and land on yours. What is going to make them click to “Read More”? And then, what is yours going to do differently to make them put it in their cart or on their TBR list?

While the cost to publish a book is the main focus during these recon missions, this information-gathering will be helpful in every step of the publishing process, and by doing this at the beginning, you can save yourself valuable time and avoid common errors or holdups that other authors run into.

Keep Track!

Take notes. Keep a list of resources, videos, links, articles, and advice that answers your questions or provides useful tips. Use bookmarking in your web browser and other apps to keep track of your own resources for info on the cost of self-publishing.

Whatever your process is, take notes, and once you’ve eliminated an option as no longer being right for you, strike through it, but don’t delete it. It’s then easier to see what options you’ve evaluated and rejected so when someone recommends it to you again, you won’t think to yourself “Wait, have I looked at that already?”

Editing Costs When Self-Publishing

In the traditional publishing model, the publisher pays the associated editing cost to publish a book. But as a self-published writer, you will have to decide how much editing you would like to do yourself and how much you want to pay someone else for. 

Traditionally published manuscripts typically receive four rounds of editing, at least. Usually, the author’s agent has offered developmental editing and assistance with revising and rewriting before the manuscript is even pitched to a publisher. Then, the publisher may ask for their own round of developmental edits and revisions – including removing or adding characters, rewriting entire scenes or storylines, or completely revising the beginning or ending of a story. 

Then, the manuscript typically goes through a round of line editing followed by a round of copyediting, to remove any word choice errors, reduce repetitive language, and fix grammatical or technical problems. These steps may be repeated. 

Then, after formatting by the graphic designer, the manuscript typically goes through a round of proofreading to ensure that no errors made their way into the publish-ready manuscript (called the “proof”). Once the proofread is complete and corrections are implemented, the book typically goes off to the printer. 

Now, while readers expect self-published books to be as error-free as traditionally published books, all those rounds of editing certainly affect the cost of self-publishing. Paying a fair market rate to each of the editors may be out of budget, which is why many self-published authors choose to improve their self-editing skills and edit their own material, or to skip one or more steps in the process. It’s totally understandable. 

Check out our blog with a Self-editing Checklist for Authors.

Check out our blog on Using Ctrl + H to Self-Edit Your Writing.

On the other hand, that’s often why self-published books are derided as being poor quality compared to traditionally published books. Many readers expect a book to be completely error-free once it reaches their hands; they are accustomed to books that have been put through many rounds of edits. Readers may be especially sensitive to typos, unclear or repetitive sentences; awkward, stilted, or wooden dialogue; unchecked facts; and a number of other inconsistencies and sloppy inaccuracies in self-published materials on Amazon KDP and other platforms. 

Of course, as an editor, I’m biased. I think it’s absolutely worth including the cost of editing in your budget of cost to self-publish a book. I 100% recommend that every book go through *at least* a line edit and a proofread. If possible, these two duties should be performed by different people. A line edit before the formatting layout helps catch errors of clarity or meaning; a proofread after the layout helps catch errors of readability. 

The first cut-off number recommended professionally is 40 errors per 1,000 words. Before you move into the formatting/layout stage, get your manuscript below that number and it’ll be “mostly clean.” For a proofread, you want to keep reviewing it until your error rate is lower than 1 error per 1,000 words

Some ways to reduce this cost of self-publishing include beta readers, group workshops or critique swaps, or run your draft through the Editor tool in MS Word, Grammarly, or ChatGPT. The real-life people can help you catch errors in meaning and ideas that would engage the reader, and the technical/AI tools can help you catch technical errors and correct grammatical problems. Doing both of these before handing it off to a professional editor can help reduce your time, frustration, and cost to self-publish the book.

Cost of Self-publishing: Design

Man in grey shirt handing money toward the camera; symbolizes design costs of self-publishingIncluded also in the cost to publish a book are the visual elements,  pictures, graphics, and other details that contribute to the look and presentation of the finished product. Design costs include the creation of art and organizing the layout of both the book’s interior and exterior. This means the book’s front cover, spine, and back cover, as well as a book jacket if you’re publishing a hardcover book. Then of course, the text must be laid out and formatted. 

Design costs will vary depending on the complexity of your book. Again, you might be able to learn to do some or all of this yourself. Some graphic designers offer services to illustrate and create both interior and exterior of the book; others specialize in one or the other. In addition, if you envision your book having multiple images–photos, charts, graphs, maps, or illustrations–there may be additional costs associated with producing, editing, or formatting them. 

And, this is not to get into too much detail about graphic novels, cookbooks, and illustrated kids’ books–anything with specialized fonts or additional graphic work for the text will add to the cost to self-publish that book. If you’re planning to publish an image-heavy book, expect costs that text-heavy books wouldn’t encounter. And of course, whether you’re publishing via Amazon KDP, multiple ebook platforms, or in print can affect your total costs. 

Need a referral for a professional graphic designer? Please ask! SRD Editing Services is happy to provide referrals for professional graphic designers and book cover artists with whom we’ve worked before. 

Some common design-related expenses include:

Front Cover Design

The front cover design is essential for attracting readers, who will expect a professional look that speaks to your book’s genre, themes, and central plot. You can create a cover yourself for free, but I wouldn’t recommend doing so without experience, unless you utilize the templates and tools available from a program such as Book Brush, which is designed for authors who may not have graphic design knowledge. 

If you choose to hire a professional, you can buy a pre-made template or have a design custom-created to your specifications. The cost of this self-publishing step can range from less than a hundred dollars to over a thousand. Typically, as with many creative products, you “get what you pay for,” but you always want to look for a designer with a wide portfolio that includes examples in your book’s specific genre. If you find a designer who offers multiple revisions, that is usually best, as it allows for some trial-and-error to help you get the exact right cover for the book you’ve worked so hard on.

Interior layout

This may be one way, if publishing only an ebook, you can reduce the cost to self-publish a book. Free ebook formatters like those at Reedsy or the open-source software Calibre allow writers with very little design experience to get the job done, with a low-enough learning curve. 

However, if you want a print version of your book, it is more difficult. Or, if you’re concerned about digital rights management (DRM) and keeping your ebook secure (especially on Amazon KDP), you may want to consider if the cost of hiring a professional is worth it. 

Whether you’re publishing in ebook or printed, a book’s interior layout should be polished. For a printed book, this means things like page numbers and running headers and footers in the right places. For an ebook, it means details like creating an auto-formatted table of contents and hyperlinking it to each corresponding chapter. There are also considerations such as adding and finalizing the front and back matter and adjusting page layouts for bleed and trim sizes on printed materials. 

If you are authoring a children’s book, graphic novel, or other printed book where you want to purchase a unique font for publishing, you may have to pay the graphic designer who owns the font copyright for licensing rights to use their font. 

A professional will take care of all these details and more, and this cost of self-publishing will vary from a few hundred dollars to over one thousand, depending on the person’s experience and the scope of work.

Illustrations & Graphics

If your book requires illustrations, charts, graphs, or other graphic elements, you may need to hire an illustrator or graphic designer. There are some free tools to help nonprofessionals, such as Canva or Inkrate, if you’re inclined to try making some imagery yourself. This cost to publish your book will depend on the number and complexity of the visuals. 

Look for free templates or pre-made stock graphics, photographs, and illustrations that are available for commercial use with or without attribution. Always check the licensing rights on any images you’d like to use, as some images may require purchase. 

Ebook Conversion

If you’re publishing both a printed and ebook version of your book, some graphic designers will include an ebook file (.epub) along with your formatted files for printed books. Other designers will charge for a separate conversion of your ebook files. Of course, you can also perform the ebook conversion yourself with free software, although your options may be limited. 

The cost of ebook file conversion ranges from less than one hundred to several hundred dollars, depending on the specifics. SRD Editing Services offers ebook formatting for authors interested in an ebook-only formatting service.

Publishing, Distribution & Promotion Costs to Self-Publish a Book

In traditional publishing, the costs of publishing, distribution, and promotion are largely taken on by the publishing company. The author may have some promotional costs associated with travel or public bookings, but typically they may be eligible for reimbursement either from the publisher or on their taxes. 

The publishing cost to self-publish a book is substantially greater. You take on all of these responsibilities, as well as their associated expenses. Consider the following in your publishing, distribution, and marketing and how they might affect your budget.

ISBNs

Every version of every book needs a different ISBN. That means that when you publish a single title, each format of the book should be assigned its own ISBN: hardback, paperback, ebook, audiobook, and so on. ISBNs should be purchased directly from Bowker, and they can be purchased in bundles of 10 or 100, so if you know you’ll be publishing multiple titles and you’ll want them in various formats, you can buy in bulk. ISBNs never expire and can be saved until whatever publishing date you choose to use them. 

To keep publishing costs down, many authors will release their book first in ebook format only. If you plan to keep your distribution narrow and exclusive to Amazon KDP, Amazon will provide you with a free ISBN. If you plan to “go wide” with your distribution and make your ebook available on multiple distributing platforms/channels, go ahead and purchase an ISBN that’s not Amazon-affiliated.

Copyright Costs

As noted in the design section, if there is a specific copyright-protected font or image that you’d like to use in your published book, you may have to purchase the licensing rights for your commercial product (i.e., your book). Additionally, if you include song lyrics or want to quote large sections of copyrighted material from another author, you may also need permission from the copyright holder to reprint the material. At times, permission may be granted simply by asking and including attribution to the original copyright holder. At other times, republishing rights may have to be purchased. Consider your material and whether those republished sections are vital to the message of your text when evaluating the cost of self-publishing your book.

Print-on-Demand Costs

The great thing about print-on-demand (POD) publishing is that there is no inventory for you (or anyone!) to stock. A book is printed only after a customer clicks “Purchase” and inputs their payment information.

The downside to that model is that there is no discount for “bulk printing,” and overall, each individual book costs more. 

(OK–you can often do a bulk order and print several books at once for a discount; there are exceptions to these general statements, but your consumers will pay more on average than they would if your book was available via a big retailer or traditional publishing distribution channels.) 

Because of most distribution websites’ pricing structures, the author can choose how large of a profit margin they want to allow themselves, essentially deciding how much of the printing cost to self-publish their book they want to pass directly on to the customer. But then, this can affect sales. As your book’s price increases, it’s possible that the sales number will decrease. 

You can keep the cost of printing down by researching the options and implementing a few strategic choices to control costs. The size of your printed book (5×8 vs. 6×9, for example), the type of paper, and the number of photos or illustrations can all affect the price of your book–even more so if they’re color. 

 So if you’re planning to offer a paperback or hardback version of your book, make sure you research your print-on-demand options and what extra steps will be necessary to maximize the value of your self-published book.

Advertising, Marketing, & Promotional Materials

This is–believe it or not–probably the easiest and quickest way to spend money on your book. A sneaky line item in the cost of self-publishing that can balloon far beyond its initial estimate. There are so many companies and individuals out there promising to sell a million copies of your book if you’ll only spend a certain amount on ads, and newsletter plugs, and email marketing, and a book trailer…

White cartoon person pushing down dynamite hooked to orange text "budget" in the background; symbolizes "blowing up" the budget cost of self-publishing

When thinking about what kind of marketing and promotions you want to do for your book, consider how you can repurpose free material already at your disposal. Can you use images you already paid for? Can you make use of free stock video and video editing software? Do you have a friend who is willing to give you word-of-mouth promotion to their wide social media following? Of all the ways to reduce the cost to publish a book, this one deserves your attention and a detailed plan. 

Consider the various ways you can market, advertise, and promote your book for free or very little cost. It’s easy to invest thousands into marketing a book and ending up with no sales to show for it; make sure you have a plan, wisely consider all the factors, and have clear criteria for what determines the moment you’ll “pull the plug” and discontinue a potentially draining and ineffective marketing strategy.

Self-Publishing Services Can Reduce the Cost to Publish a Book

I recommend you look into the self-publishing services companies and see which offers the services you want at the price point that works for you. A full self-publishing services company should handle printing, distribution, and maybe some marketing for you. But marketing services can vary greatly as well. So before you spend a dime, take the time to do the research and craft a plan that lets you minimize your effort and maximize your results once it’s time to publish.

Conclusion: Results > The Cost to Self-Publish a Book

For you, “results” could mean a sense of accomplishment, checking an item off your bucket list, or the thrill of seeing your name on the cover of your very own hard work. No matter what the cost to self-publish a book is, if it’s the right choice for you, you’ll be willing to pay what it costs to bring your dream into the world.

Got more questions for the editor about the cost of self-publishing your book?

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Editor’s Pick: Top Books Read in 2023

Collage 10 book covers of editors picks top books read in 2023 entire list

The SRD Editor's Pick: Top Books Read in 2023

Welcome back for the second year of the SRD Editor’s pick of top books read this year! (Check out the 2022 list here.) 

As a refresher, I love tracking my audiobook listens and physical book reading via Goodreads (let’s connect!), and I typically get my materials from the county library using the Libby by Overdrive app. I love it! And the audiobook experience is perfect for me. 

So in 2023, I borrowed 151 audiobooks from my library. My total reading tracked on Goodreads is 154 books – which is more than double my goal of 75! 

Don’t ask me to pick a single favorite – I just can’t! 

But I did narrow it down to a shortlist. 

Like last year, I posted my preliminary, casual reviews of these books on Facebook to my personal circle. Below, you’ll find that original, informal and sometimes knee-jerk reaction review, but in this blog for my comprehensive editor’s list of top books read in 2023, I’ve included a bit more of my thoughts in the extended review. 

In the Libby app, I also tag books to keep track of the genres and main themes/types of books I read, out of curiosity. You’ll find that info below as well. 

Warning: Spoilers ahead!

These book reviews may contain some details that could affect your reading of the book. But, I tried not to give away too much. 

This page contains affiliate links. SRD Editing Services may receive a commission if you purchase a product through one of our affiliate links. Thank you!

The Salt Grows Heavy

⭐⭐⭐⭐⭐

By: Cassandra Khaw

OMG. What an intense and beautiful but insanely gory and graphic and literary excellence of a horror love story fever dream. I don’t even know. By far, the best true horror in my spooky October readings.

The writing in this is superb. Descriptions and word choice that will soak through your skin and bite you with their beauty while the content of what’s being said will melt your brain. I can’t even with this writer.

The mermaid. She was abducted. And her children have teeth. She burns down the kingdom and escapes into the woods with a fearless nonbinary plague doctor who (spoiler) turns out to be analogous to Frankenstein’s monster. They stumble across a society of unaging children in the woods who are under control of three “saints.” (Not sus at all…) Chaos and destruction ensue.

It’s graphic, can’t-look-away horror not quite like anything else I’ve ever read. I keep trying to picture how you’d make it into a movie and i don’t think you could. I think it’d have to be anime. It’s so violent and extreme i don’t know how you’d show a live action representation.

CW for all the physical, visceral horror things and cult-type abuse with children. (No SA).

Extended Review

In October, my reads are exclusively horror/thriller themed, and looking back from the end of the year, it’s easy to see why this made its way onto my editor’s pick top books list. The language flowed over me like syrup, and many months later, I remain stuck in the unique, fascinating, gruesome world. 

Although I didn’t delve into it too much in my original review, the themes of motherhood and identity weave through every paragraph of this revenge tale. While the mermaid character explores her intense storyline, the plague doctor’s path explores deep LGBTQ+ meanings. Placing both of their narratives (the mermaid and the doctor) in spotlights that circle each other keeps the trance woven as the carnage piles up around them. 

Tagged: adventure, fantasy, women’s lit, romance, LGBTQ+, mom lit, short story

Good Inside: The Guide to Becoming the Parent You Want to Be

⭐⭐⭐⭐⭐

By: Dr. Becky Kennedy

OMG. I loved this so much. This might be my new favorite recommendation for parenting books, like for real y’all. So good. For both mothers and fathers. For kids of any age. For struggles of any kind.

The basic premise is: you are good inside. Your kid is good inside. Either of you might be a good person having a hard time/struggling through a tough situation.

It’s overwhelmingly positive, with easily understood advice that anyone can begin implementing immediately, and not just in parenting relationships but in others as well. It has personal stories and large-scale stats and ties together both micro and macro.

It’s hard not to ramble about how much i love this book and why. In the span of a few hours, it helped me tie together my personal experience with scientific best practices. It helped explain and dissolve some of my confusion.

I want a print copy. So i can highlight things and put stickie notes in it and reference it as needed. 

Extended Review

While I don’t specifically choose the books on my editor’s pick top books of the year list because of their genre, if I had to narrow down and choose only one nonfiction book this year, this would be it. Perfect for parents of children of all ages. My main takeaway, months later, that I’ve been able to implement and see results in my own life is the idea that everyone is good inside, they might be going through a hard time. Including you. 

It’s possible to change your communication style. It’s possible to use compassion and empathy to approach your children to change their behaviors. It’s possible to help kids grow into the people you know they can be. It’s not only possible–it’s your job as a parent. And I think this book will, for me, personally help me get there. 

Now, I did just receive a copy of this book as a holiday gift. (Hooray!) I may revisit and post a more extended review next year, after I’ve had a chance to re-read and learn more from it.  

Tagged: psychology, 21st cent. lit., mom lit., funny, self-help, dad lit 

Moon Witch, Spider King

⭐⭐⭐⭐⭐

By: Marlon James

This may be one of the most incredible things I’ve ever read. I’m still processing it. Black History month book 4.

It’s epic high fantasy adventure with an all-Black cast, brought to you by a Jamaican author, so the voices are truly unique and authentic.

Picture Game of Thrones in its level of backstory and intricate politics and character storylines. But instead of dragons, we have other magic in the world in direct connection with the gods. Mainly shape shifters that can turn from human to big cats (lions and jaguars) but many other magics as well.

Our MC — we start following her at age 11 and by the end she is 177. She is cursed. A witch with powers she cannot fully control and a destiny she strongly resents once she discovers it. Then when she embraces it, all hell breaks loose and the gods should tremble.

It’s vulgar. Like, John Waters and Cardi B lyrics level raunchy. And violent. Like Tarentino-level violent. And its completely unlike anything I’ve ever read. It’s the Odyssey. And Gulliver’s Travels. And Gladiator. And Beloved. And Blade. With a Jamaican-ish female MC.

Apparently it’s the second in a series. I didn’t read the first (but i added it to my list) and the third is pending release. If you like intricate, epic high fantasy with fantastic world building and strong Black female lead characters, then take the plunge.  

Extended Review

So I’m no stranger to paranormal romance, and this takes the cake. Not the type of book I typically enjoy, I am a bit surprised this ended up on my editor’s pick of top books for 2023, but looking back over the competition this year, it still stands above many of the other books I listened to and read. 

I said this before, but it bears repeating, this book is not a YA fantasy. It’s smutty and raw and graphic with both violence and pretty extreme sex. It gets in-the-jungle levels of dirty. And another about a powerful magical woman who is out for revenge, even if it destroys her in the process. There are plenty of angry powerful women out there, but if B. Kiddo from Kill Bill was the Witch Doctor character from the Diablo video game, you might have something close to this MC. Truly one of a kind. 

Tagged: adventure, fantasy, 21st cent. lit., women’s lit, romance, political, mom lit

Remarkably Bright Creatures

⭐⭐⭐⭐⭐

By: Shelby van Pelt

OMG. So i just told you how i love stories from animal perspectives? One of our three MCs here is a Giant Pacific Octopus named Marcellus. And i love him.

Overall, the story is heartwarming, bringing together three disparate characters with an intergenerational mystery. It’s got elements of romance, some light action, some family friendly humor. Really just delightful.

And then there’s Marcellus, the real star of the show.

I also loved that this audiobook included an interview with the author, giving us some behind the scenes insight and fun writerly discussion. So if you read/listen to this and love it, i recommend the bonus interview as well. 

Extended Review

Of all the books on the editor’s pick top books list, this is definitely the most wholesome. At some point this year, I started to realize what “upmarket fiction” means, and this book is one of the ones that I would put on that list. (I might not be right, but the genre is a concept I’m still trying to wrap my head around, and the best explanations I’ve seen for it are very much “I know it when I see it” type explanations…so I feel like this counts.) 

I love books with animals as first-person POV narrators, and for me, Marcellus steals the show. However, I also enjoy that the other two MCs whose perspectives we (readers) get to enjoy are of vastly different ages, backgrounds, and points of view. And I appreciate that the main MC (as it were) is an older woman. Many of the MCs I enjoyed following along with this year were in their forties or older, and I’m finding it very refreshing to get away from YA more often than not. You can still go on adventures and learn lessons and enjoy life (and even fall in or find love) without being young and innocent. I’ve been here for it all year, for sure. 

Tagged: fantasy, 21st cent. lit., women’s lit., mom lit., mystery

We Over Me: The Counterintuitive Approach to Getting Everything You Want out of Your Relationship

⭐⭐⭐⭐

Book cover We Over Me by Khadeen & Devale Ellis

 

By Khadeen and Devale Ellis

4.5 stars. I really enjoyed everything about this book. I came to it knowing nothing about this couple and walked away feeling like i not only knew them but i knew myself better.

So as someone who wasn’t familiar with either of their individual journeys or their combined journey as a couple, i appreciated the first half of the book giving me that insight and showing me how they built up their trust, support, and communication over the years to achieve a healthy, balanced, and happy relationship now. The first half of the book was very insightful.

The second half felt like it switched into a more focused directive of giving advice, which was welcomed. As a successful celebrity (who wouldn’t call themselves that) couple in their 40s, they offer solid advice on how to make a relationship work for 20+ years and how to raise 4 boys. (lawdamercy)

Overall i really liked what they each (and combined) had to say. I like how they told their story and i think they offer very valuable advice about teamwork, marriage, and parenting. Not to mention business and work-life balance.

One of the key things that struck me is that you have to be in love with marriage, the idea of it, the committment of it, to make it work. There will be good days and bad days and longer periods when you have to recommit yourself. The “happily ever after” is up to the individuals, and it’s ongoing work.

Extended Review

This year, a lot of the self-help I enjoyed focused on either parenting strategies and skills, or relationship improvement. There are many places you can go to get relationship advice, and one of the best pieces of advice I’ve heard over the years is “Never take advice from someone you wouldn’t trade places with.” Well, there’s a lot to admire about the Ellis’s relationship, to me, and I think I’d be willing to trade places with Khadeen, so I wanted to see what I could learn from them. 

After enjoying what they had to say in this book and how they put their perspectives together to explain their joint philosophy and approach to life, I tried listening to a couple episodes of their podcast. Now, I’m not much of a podcast person anyway, and I generally don’t like podcasts that are unstructured conversations between small groups of people, so ultimately I found that their podcast was not for me. I liked the structure and approach to the material in the organized presentation of their book, but if you like the book and you generally like spontaneous conversation-style podcasts, you should check that out as well. 

Tagged: psychology, 21st cent. lit., women’s lit., romance, sports, mom lit., self-help, dad lit, memoir

Honorable Mention

Book cover When Women Were Dragons by Kelly Barnhill; honorable mention for editor's pick for top books read in 2023When Women Were Dragons
By Kelly Barnhill
⭐⭐⭐⭐

Tagged: adventure, fantasy, women’s lit., romance, LGBTQ+, mom lit., historical lit., YA

4.5 stars. Loved this historical fiction fantasy. Strong LGBTQ romance(s). True metaphorical coming of age tale. Deep themes of mothering.

What would happen if, in 1955, over half a million women suddenly, miraculously, without explanation or specific warning, turned into dragons? Real life, scaly, flying dragons.

So many things could happen. And do.

This story was both solidly crafted and surprising. Refreshing in its unique details yet familiar in many of its tropes. It’s lovely. A unique beauty. A pearl among emeralds.

The Candy HouseBook cover for The Candy House: A Novel by Jennifer Egan
By Jennifer Egan
⭐⭐⭐⭐⭐

Tagged: adventure, 21st cent. lit., women’s lit., LGBTQ+, sci-fi 

Exquisite. Brilliant. This is a deep sci-fi masterpiece that I can’t recommend enough.

When i was in grad school, I read “A Visit from the Goon Squad” from Egan, and it turns out that this book is not only in the same universe, but also contains some of the same characters, giving us insight, foresight, and hindsight on all their lives. I’m going to have to re-read Goon Squad to more fully see all the connections (it’s been 10+ years), but I’d be very willing to do it.

We have neurodivergent characters. LGBTQ+ characters. Interracial relationships. All my favorites from the “woke” world of today.

What if you could upload your consciousness into the cloud? What if you could also access others’ memories in the cloud to re-experience events from other points of view that lived through them? What would the tech geniuses who created this reality look like? How would espionage function? How would this impact everyday people?

Egan probes into all these questions and more in a strangely real but slightly dystopian depiction of the current and upcoming world. We jump through character perspectives and various timelines in vignettes that glimpse into one another and ultimately, reveal an overall truth in the big picture.

Like the fable of 5 blind men who touch different parts of an elephant and describe the beast based on their limited knowledge (“It’s like a tree trunk!” “It’s like a snake!”), this novel collaborates in all its various parts to form an image of a massive, new beast — the pink elephant in the room, as it were, whose heart is technology and its effects on our daily existence.

It isn’t until the end when you can step back from the individual puzzle pieces to see the mosaic as a whole. And the image may be unlike what you expected and reveal some truth that you normally only glimpse in sections. In the end, it may be a self-portrait, warts and all.

Book cover for SensitiveSensitive: The Hidden Power of the Highly Sensitive Person in a Loud, Fast, Too Much World
By Jen Granneman and Andre Solo
⭐⭐⭐⭐⭐

Tagged: psychology, 21st century lit., women’s lit., mom lit., science, self-help, dad lit.

Ever been told you’re “too sensitive”?… What does that even mean? What’s a “normal” level of sensitive and what is “too much”?

Sensitivity, like so many things in life, may be a spectrum. Individuals are more or less sensitive than each other in a variety of ways and that sensitivity can adjust over time and according to context.

You might be highly sensitive to tactile sensations or pain. You might be sensitive to other people’s emotions and needs. You might be sensitive to changes in the environment or a situation. You may be sensitive in myriad other ways.

You’re not “too sensitive” and you don’t need to “toughen up” or feel guilty that you’re affected by things in the world. You don’t need to buy into the “toughness myth” that so frequently tells you that being sensitive in any capacity is wrong. If you’re an emotionally sensitive person in particular, you may need to learn to harness the power of your sensitivity. You may even need to be told that is an option. This book will give you all that and more.

Not only do the authors understand and give examples of what it’s like to be sensitive — whatever that means to you and for you — but there’s a loving and compassionate presentation of new information, namely, how can you love forward and embrace success in today’s world by using the powers that your sensitivity affords you.

Demon CopperheadBook Cover for Demon Copperhead; one of the editor's picks for top books of 2023
By Barbara Kingsolver
⭐⭐⭐⭐⭐

Tagged: adventure, 21st cent. lit., romance, true crime, sports, LGBTQ+, memoir, dad lit., YA

Destined to become a true literary classic. Modeled after “David Copperfield” and hitting every classical structural point, this novel really is a masterpiece. The author uses metaphor and simile like they should be used, giving characters unique voices and a sense of place through language choice and colloquial expression. An exemplary piece of writing.

Little Daemon’s mom brought him into her under educated and addiction-filled world and he never really stood a chance. In the poorest county in the US, where unemployment from closed-down coal mines hovers around 50%, there isn’t much to do, or anywhere to go, or anything to be.

Yet Daemon, a foster kid who works his way through all the colorful characters that appear in that system, is surviving okay. His life twists and turns down a trail of hillbilly self-discovery, poverty, addiction, and redemption that anyone living anywhere in the US in the 1990s and early 2000s should find somewhat familiar. Frightening and sad, touching and tender at times, but somewhat familiar.

Book cover To Shape a Dragon's Breath by Moniquill BlackgooseTo Shape a Dragon’s Breath
By Moniquill Blackgoose
⭐⭐⭐⭐⭐

Tagged: adventure, fantasy, romance, LGBTQ+, YA, sci-fi

4.5 stars. I think might be one of my favorite YA adventures this year. Destined to be a new classic.

A mix of some of your favorite tropes and some things I’ve never quite seen before. Mild spoilers ahead

Like Harry Potter or Wednesday, we begin with an outcast in a prep school for elite teenagers. What makes these kids elite?… They’re dragon riders.

So our MC is from a remote indigeneous population and she is 100% a fish out of water but also bold, brave, true, and steadfast. She is anti-colonial and there to fully represent her people and her traditional way of life at one of the sacred institutions of the metropole. She is a groundbreaking phenomenon and a gamechanger. A chosen one and not really all that reluctant about it.

She also turns out to be bi and polyamorous, and one of the relationships she involves herself in is interracial and inter-class, which she completely disregards in importance. Just busting through all the boundaries.

Of course, it’s the first in a series, and i will 100% look forward to the next one. And the eventual TV or movie series. Because I’m telling you, this is going to have a ripple effect.

Goal: 100+ More Books in 2024

So that’s it! Thank you for taking the time to look at my editor’s picks, top books of 2023 list. For 2024, I’m setting my goal at 100 titles, but I’m sure I’ll go over that. If you have a specific book you think I’d love and should add to my TBR for 2024, leave a comment and let me know! Or let’s connect on Goodreads and recommend to each other. Looking forward to it! 

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Types of Beta Readers & Sensitivity Readers

Man holding A and B letters symbolizing types of beta readers and deciding between them

Has someone recommended that you look into getting a “beta reader” or  “sensitivity reader”? You may not realize initially, but they are both types of beta readers that focus on different things in your writing.

If you’re wondering what they are and why they’re helpful, the short answer is that they make your book better.

What Is a Beta Reader?

“Beta” might sound like a techy term, and there’s a reason for that.

In the software industry, programmers release “beta” versions of new programs that a select group of users to test the product. You might have heard about a “beta” version of an app. Basically, “beta” means that issues are still being worked out before the product becomes available to the wider public.

Books are no different! In publication, we add the word “reader,” and a “beta reader” means someone who reads an unfinished draft of a writer’s manuscript in order to give general feedback.

Like an advanced screening for a movie or a dress rehearsal for a performance, the beta reader gets the chance to put their professional or honest consumer opinion into the writer’s ear before the process has been completed. The writer can then make their suggested changes if they choose. 

Over time, there have developed two main types of beta readers: those who focus on readability and the reader experience and are typically just known as “beta readers,” and those who focus on issues of cultural or personal sensitivity, typically called “sensitivity readers.” 

What Is a Sensitivity Reader?

sensitivity reader is a specific type of beta reader that reviews an advanced copy of a book as needed, paying attention to any especially sensitive topics that are touched on.

If your manuscript deals with any potentially triggering topics, a sensitivity reader is a must. Even if you don’t think your book touches a triggering topic, ask your beta readers to keep an eye out for anything that could be considered troublesome. If any of them reports a sensitivity issue, take the next step and hire a sensitivity reader

Sensitivity readers often specialize in a particular type of “hot button issue” or topic. For example, a person with a disability may read a book to see if characters with disabilities are being portrayed in a compassionate way. The reader can help the writer avoid any potential backlash or negative reaction because of a problematic portrayal or treatment of a particular character.

Beta readers and sensitivity readers can help with issues of plot, story structure, character believability and arc, and more. Both types of beta readers might be able to spot issues of race, gender, sexuality, ageism, classism, stereotypes, or political biases, all of which are important to consider in the final stages of drafting.

Why Are there Different Types of Beta Readers?

As you already know, publishing a book is a huge collaborative effort. In order to produce the most well put-together product possible, several people will contribute. If many hands make light work in most things, then many eyes make fewer errors in publishing. 

Are Beta Readers and Sensitivity Readers Needed if You're Self-publishing?

Look, I won’t tell you that you “need” both  types of beta readers. But ask yourself this: do you intend to make money with this book?

If so, you should know that it’s common practice to have manuscripts with traditional publishers go through multiple rounds of development with editors, and at least one round of advanced readers. In today’s traditional publishing market, both types of beta readers are becoming more common and crucial. And, like it or not, traditionally published books (and high-quality self-published work) will be your competition if you’re self-publishing.

If you don’t really care if your book makes money, next ask yourself if you’re interested in your book being the best version of itself it can be. If you want it to shine, and you can honestly and openly accept constructive criticism and work with it, then yes. Do the thing!

If you don’t really care about making money or publishing an A+ quality book, then the last question to consider is: do I care if my book offends people?

Chances are, if you don’t care about it being the best version of itself, then most readers will find a reason to quit reading it in the first 10% of your word count. But, if someone does keep reading after that, do you care if it hurts their feelings or offends them or if they find it insensitive? What if they go online and talk trash about it?

If you want to avoid setting somebody off and dealing with the fallout, consider at least one of both types of beta readers at least. Having two or three people who are members of your target audience should tell you enough to raise any urgent red flags. And if there are many red flags, the next step might be to work with a developmental editor.

Got more questions about both types of beta readers?

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Write a First Draft: Tips for Fiction & Nonfiction Books

Closeup hands on laptop keyboard for write first draft tips

You may have heard that there’s no wrong way to write a book. When you make the goal to write, first draft jitters can easily get in the way, and without a plan or solid options for your process, you won’t know what’s right or wrong. 

Many pieces of advice for finishing your book first draft won’t work for you. Some advice will only work some of the time, and some advice may even cramp your style or bring on writer’s block if it’s not right for you. 

Let’s review some of the options to help you write your first draft of a book.

Maybe we should separate fiction and nonfiction. There’s similarities of the two, but distinct genres pose different challenges and require different approaches.

Tips to Write a First Draft of a Nonfiction Book

1. Find a Theme

You need a hook. A central theme. Something interesting and fresh that grabs the reader’s attention. It’s the only way to move them through the details of events to understand the story. Your particular insight should be striking and unique. 

For the first draft of a book, think about what makes your book stand out from others like it. Maybe yours is the first to approach a topic from a specific intersection of identities of race, culture, gender, and age. Maybe yours is like another popular advice guide or self-help narrative out there, except yours is aimed to people in a specific occupation or area of the country. 

Whatever it is that makes your book unlike others, identify and lean in when you write your first draft. It can help when you’re stumped about what to write next. Think: how can I connect this back to my central theme? Then, write to answer that.

2. Gather Information

For a nonfiction book first draft, begin with research using public information available online. For a genre such as memoir or biography, you will need to go beyond online materials, but for the first draft, you can begin with widely known sources. For genres such as self-help, spirituality, or some kind of guidance book, you can use internet sources for basic terminology or general background knowledge on complex topics. 

As you write your first draft, keep track of sources. Depending on the citation style your publisher (or you, if you’re self-publishing) chooses, there can be large variations in citations for books, interviews, websites, videos, etc. And if you want to quote from large sections of other people’s copyrighted materials, you may need to reach out to the publisher for the appropriate permissions to reprint. So keep your notes organized as you write a first draft.

3. Write in any Order

When you write the first draft of a book, start with an outline to at least get going. It doesn’t have to spell out everything, but at least have a beginning, middle, and end plotted out. Some people are “pantsers” and don’t do outlines well. Honor your process but start with something

However, no matter how detailed your outline, you don’t have to write it in order. If you’re writing real-life events, no need to start at the beginning and go through each scene chronologically until the end. Write according to what you remember, the scenes you’re most passionate about, the time allotted. Write according to whatever system works best for you but don’t think you have to go from beginning to end. You can skip around until everything is drafted.

Tips to Write Your First Draft of a Fiction Book (Novel)

1. Find a Theme

For a fiction book first draft, focus on characters and plot. Some elements of your characters will be similar to established characters in other books, film, or TV. What makes yours different? Some tropes in your plot will make it similar to existing books that people love. How are you going to implement a twist or be entirely true to that plot device, in support of your story’s central theme? Focus on making your story unique. In later drafts you will hone in on specifics of word choice and details that make your book poetic, literary, or grammatically correct, but when you write your first draft, keep in mind what about these people or their adventures will keep your reader along for the ride.

2. Gather Information

Oh! The rabbit holes you can go down when you write first draft material. Don’t fall into the trap! For your first draft, use brackets and margin comments to mark areas that you can go back to later, especially if you need to research. If you write historical fiction or sci-fi, you may find yourself needing to look up details of complex events, theories, or devices, but keep the writing mindset focused in creative energy. Simply note for yourself where you should research details when the time comes. 

For the first draft of a book, the details matter less. Keep a clear vision of your story and characters and focus on narrative arc. The research to fill in specifics can come later.

3. Write in any Order

One fun way to approach creative fiction writing for your book first draft is to write when the muse speaks to you or when inspiration strikes. Sometimes you can picture a scene perfectly in your mind, and the dialogue just comes to you. Sometimes you hear voiceover or narration for a particularly poignant moment, and you don’t know what has happened to make the character feel like they do, but the words are flowing from your mind to express that disconnected, unprompted feeling. You don’t know where the paragraphs fit into the story, but damn it, you know they are beautiful, and you will fit them in. 

All of that is okay. When you write a first draft, you should put together stories in whatever method works for you. If it’s a bit like a scrap heap that turns into a patchwork quilt, then so be it. The time may come to string those random scenes together to make a story, but for the first draft of a book, you only have to get the random scenes written down.

Conclusion: To Write a First Draft, Be Prepared & Open to Creativity

Don’t be intimidated to write your first draft of a book! It’s a huge achievement, and you’re going to do great. As long as you keep putting down one word after another, you’ll end up with a whole book manuscript before you know it. The key to success is to be prepared with an outline and some basic research, then be open to creativity and your own writing process, as long as you’re keeping the central theme of your book in mind.

Want help to write your first draft? Consider a book coach...

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Proofreading for University Reports: Editor Cortni & Keiser University Vice Chancellor Discuss Academic Writing & Editing

Colored sticky notes, pens, and markers used to keep organization in academic writing

As a writing and editing professional, editor Cortni Merritt is sometimes asked to consult and collaborate on a variety of academic, technical, and business writing projects in addition to her projects with SRD Editing Services as a member of other groups not associated with SRD Editing Services. Recently she was honored by the request to participate in a crucial academic writing project at Keiser University in Florida

As an accredited institution, the University is required to assemble a comprehensive compliance report for the accreditation board every five years, and as a professional familiar with academic editing, Cortni was asked to assist with proofreading and finalizing the report before its submission to the board.

“The need for an editor isn’t about a lack of ability on the part of the writer; instead, it’s about a division of labor. When it absolutely has to be right, we will use a team approach.”

The Big Picture: Proofreading a Year-Long Collaboration

In the spring of 2022, Cortni introduced herself to the accreditation report writing team at Keiser University, composed of faculty, staff, deans, and experts in higher education writing and documentation. The timeline was laid out: Over the upcoming 12 months, teams of primary and secondary content developers would submit their materials to a compliance committee, and only after all materials’ content had been finalized would Cortni be asked to review and proofread for technical accuracy, using a KU-specific style sheet, based on combined elements from the Chicago Manual of Style and the APA Publication Manual

The final report to be submitted to the accreditation board in spring of 2023 was estimated to total around100 pages of narrative essays with 200 more pages of additional supporting documentation, which would not be subject to the proofreading process. However, Cortni was informed that there may be additional front matter, back matter, and appendices that might also need editing

Needless to say, it was quite the challenge! But if there’s one thing Cortni loves as an editor, it’s a new challenge. 

Associate Vice Chancellor of Academic Affairs, Dr. Michael Record, located at the University’s flagship campus in West Palm Beach, Florida, was lead project manager for the entire team of contributors, including Cortni from her office in Orlando, Florida. After the report was submitted and the project complete, Dr. Record generously shared his post-project insights about academic writing, professional editing and proofreading, and project management with Cortni in the following interview transcript.

Process, Standards, & Style: SRD Editor Interviews Dr. Michael Record

The following is compiled from multiple conversations in May 2023. Content is compressed and edited for clarity, organization, and story; some identifying information is redacted to protect confidentiality.  

Cortni Merritt: Well, Dr. Record! We finally reached the end of this large group project.  This involved so many highly educated specialists and subject matter experts. How many people were involved in the report writing (with all the writers, reviewers, committee members, advisors, etc.)?

Michael Record: Indeed! A big project. We had approximately 30 secondary developers writing on behalf of approximately 15 primary developers submitting their drafts to a compliance committee of approximately 20 people. Given a little bit of overlap in these appointments, I would say 60 folks contributed. 

For clarity, I’ll add that the chancellor and his management team [at the flagship Florida campus] served as primary developers of content…secondary developers did most of the writing on behalf of [their] vice chancellors. In most cases, [the report writing teams] would run their narrative by the primary developer for approval before submitting it to the compliance committee. 

CM: And after the compliance committee approval, it was sent to Cortni for final proofreading

MR: Well, that was the original idea. But, unofficially, we found a lack of quality in what was submitted…so the compliance committee chairperson and I—I have served on several on-site reaffirmation committees—with the assistance of the [lead] editor, who has served as a reviewer on accreditation teams, did a lot of rewriting…and then it would get sent to Cortni for proofreading, eventually.

CM: So the report went through a lead editor and a proofreader in addition to all the writing, rewriting, and review, is that right…?

MR: We had a [lead editor] who spent probably 40 hours. Would you estimate your contributions as proofreader at 25 hours?  

CM: Yes, about that. Maybe 30…how many hours do you think went into preparing this report in total? 

MR: That is difficult to estimate, but here’s my thinking: each team of 3-5 secondary developers would probably spend an average of three hours per person developing, reviewing, and gathering documents. A rough estimate for the secondary development [is] 330 hours.  

At the compliance committee, let’s say another 240 hours. And, I would ballpark the same for the time spent by the compliance committee chair, me (as project manager), and about 30 for the vice chancellor, bringing the total to somewhere in the neighborhood of 750 staff hours. 

CM: Wow. I think that goes to show that it takes a lot of preparation and preliminary work in a writing projectreally, any academic writing project but especially one this size. So many people think that the first draft is the last draft, but there’s unseen steps for development, revision, and rewriting…all before editing even starts!…Since so many of the contributors were experienced writers, did it seem like “overkill” having both an editor and a proofreader? The copy must have been pretty clean to begin with.

MR: Well, people who don’t understand the publishing process don’t realize that the need for an editor isn’t about a lack of ability on the part of the writer; instead, it’s about a division of labor. When it absolutely has to be right, we will use a team approach.  

I can share my surprise at learning that the final report that gets handed in by the committee to the accrediting agency is almost completely narrative. For each standard, one does ultimately “check” whether the institution is in compliance, partial compliance, or noncompliance…however, that is followed by analytical narrative. 

In other words, a compliance report is ultimately a Word document. There is no way to summarize or digest an institution’s compliance with the standards of an accrediting body. Lengthy academic reports ultimately determine the continued good standing of an  institution in an accrediting body, meaning the quality of writing matters significantly

[And that’s why it’s important to understand] the capability of your team and your report writers. In some cases, the folks generating the copy were not academics, [but] it is not necessarily a good assumption that an academic [writer] will produce copy appropriate for [this type of specialized academic] report, even if that individual is an accomplished scholar with lots of publications on his or her vita. 

Quick example: it’s shocking how many ways of styling the name of a degree a group of university faculty and administrators can come up with: master degree…masters degree…master’s degree…Master’s of Science…Master of Science…Masters in Science…Masters Degree of Science…Masters of Science Degree…

It was impossible for the project manager—me!—to know how often a certain convention was going to be used, and whether it was going to be used often enough to require a rule governing it. Some of the best contributions you made as proofreader on the project were identifying issues that weren’t even addressed by the style sheet but needed to be. 

CM: Well, thank you. It was my pleasure. I’m glad I could help.

MR: You did! The main change in the process of editing is the ongoing development of the style sheet. Some organizations may have a style sheet that never changes or changes very seldom. A higher education institution that writes high-stakes accreditation reports every five years has a style sheet that is going to change a lot. 

With [more] issues identified, the next generation of developers is going to have even better guidance on what to do during drafting to lighten the load of the editor. Having a sufficient trove of issues identified along with advice about how to handle those issues makes generating the report a much easier task.  

You know, generally, division of labor based on experience makes everything easier. 

In this case, some people’s contribution [was] to conceive of the message, some people’s contribution [was] to write the copy, some people’s contribution [was] to gather evidentiary documentation, some people’s contribution [was] to evaluate and revise, and some persons’ jobs [were] to proofread and edit. When no one person is responsible for all of that, everyone can devote himself or herself to his or her own specific task, only do that, and do it really well. 

CM: That’s brilliant. Have experts focus on their areas of expertise.

MR: [That is why editing and proofreading were] important enough to be [their] own discrete stage of the report development process. Similar to when I wrote my doctoral dissertation and needed a professional editor even though the work I did for the institution at the time was similar to that of a professional editor, we needed an editor for this project who was not a developer—someone whose responsibility was not to write, or even necessarily to think about the institution’s compliance with the standards—because we wanted someone designated to handle the surface-level correctness of language.   

Had I to do it over again, I would start sooner and have a third phase (beyond primary and secondary [report writers]) whose job would be only to determine whether or not we were operating in compliance with the standard, but not necessarily to produce any copy. Then I would have a hand-off to the secondary developers who would take the information learned during that phase and write about it. 

CM: A great idea for next time, right? We’ve been talking about the “standards” and “compliance” with them, which brings me to a more technical question about the report writing—what were these “standards” that the University had to comply with? What was the real purpose of this compliance report? 

MR: Well, there were 22 academic standards–areas in which the University must demonstrate excellence in order to retain our accreditation. We have to provethrough explanatory narratives and evidenciary documentsthat we have comparable facilities, classes, instructors, staff, policies, educational materials, etc., to similar institutions in Florida and throughout the southeastern US. 

So my primary purpose was getting an answer to the question “Do we comply with these 22 standards?” Our emphasis was [on providing] clear and complete answers. We hear a lot [at academic writers’ conferences, trainings, and seminars] about institutions that demonstrate compliance with part of the standard or what people’s impression of the standard is. 

Our approach in this report writing…was to break each standard into clauses, turn each clause into a subheading [in the report], and clearly demonstrate compliance with the clause of the standard within that subheading.

Beyond that, our focus was self-examination. Most institutions focus so much in their report writing on demonstrating compliance that they lose sight of the opportunity to learn about themselves. 

CM: What a fascinating, yet straightforward, process. Sounds like you basically reverse-engineered an outline for the report and created writing prompts for each section. 

MR: Exactly! 

CM: And so, what’s one piece of advice you’ll share? Something you think writing project managers ought to know?  

MR: The best advice I can share for working with a large team of content specialists is to acknowledge that just because someone is accomplished in a particular field of scholarship doesn’t mean that individual knows technical writing. 

In this context, all that means is answering the question that was asked, answering it completely, answering it clearly, and providing all the evidence the reader needs to believe the answer. 

The best specific tip I can offer is to take that team of academic writers through a series of examples and nonexamples of successful [report] writing. It can be enormously instructive to show teams of writers samples of well-written narratives that don’t answer the question, don’t provide evidence, or aren’t complete. This is an experiential approach to discriminating between good writing that demonstrates compliance and good writing that doesn’t demonstrate compliance. 

CM: As an editor, I can see how I would apply that advice to all types of large writing projects—book manuscripts, academic articles, business websites, etc. Thank you so much for sharing that wisdom!  

So, I have one final question for you, Dr. Record. I’ve seen a post online that suggests that it’s time for academia to replace “et al.” with “and besties” in citations. So instead of “Smith et al.,” citations would become “Smith and besties.” What are your thoughts on this?  

MR: That’s cute, and while it’s a joke, it’s actually a great teaching strategy. Instructors don’t acknowledge the subvocalization process often enough. When people read, their brains “pronounce” the words, and when our students don’t know how to pronounce something, they skip it—or they get frustrated and stop working. When I taught in Florida classrooms, I always taught students very intentionally how to read college-level material. I taught them to subvocalize “Smith (2022) observed…” as “Smith in 2022 observed…” As simple as that teaching behavior was, it was the difference between a group of emerging scholars warming up to academic discourse versus feeling alienated by it. I taught academic writers to read “Smith et al.” as “Smith and others,” but I will be using “Smith and besties” from now on. 

Cortni Merritt, SRD Editing Services & Academic Writing & Editing Projects

As an experienced proofreader, academic editor, and writing project manager in Florida, Cortni is always expanding her areas of expertise. This experience proofreading materials for Keiser University was one of many in the realms of business and technical writing and editing projects that was recently on Cortni’s calendar, but you can expect SRD Editing Services to be involved in similar University projects in 2023 and 2024. 

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Goodreads Book List: Father’s Day Recommendations

Drawn image of man and small child silhouette by the sun and the words "Happy Father's Day"

The last-week countdown to Father’s Day begins today! And if you have a dad who loves (or even just “likes”) reading, then I have a book list for you. 

Dad doesn’t want another tie or photo frame this year; he wants a book! 

At least, I think he might. And since I listen to a lot of audiobooks, I thought I’d compile a shortlist of the best books I’ve listened to in 2023 that might be perfect for a dad in your life. I’ve linked here to the audiobooks, since I know I can personally recommend them, but if the dad you’re shopping for prefers physical or ebooks, get him the format you know he’ll love.

Below, you can find the featured book list of my top recommendations from audiobooks read in 2023, but take a look at my Father’s Day Book List Shelf on Goodreads for a comprehensive and more frequently updated list of books I’d recommend for dads. 

Screenshot of Goodreads page with book list of recommended readings for Father's Day from SRD Editing Services
Screenshot of Goodreads book list with Father's Day recommendations from SRD Editing Services

The SRD Editing Services Father’s Day Book List Shelf on Goodreads includes books our editor read or audiobooks listened to in 2022 or 2023.

Recommendations include memoirs, self-help and psychology, history, and fiction with “fatherhood” as a theme.

Connect with Cortni on Goodreads!

Editor Cortni's Featured Short Book List

So while my full Goodreads Shelf includes the whole book list I can recommend for dads, I realized that the books I tag as “dad lit” fall into four main categories: 

  • Parenting books
  • Self-help books
  • Books on topics dads might like
  • Fiction that features “fatherhood” as a theme

So whether you know a dad who is looking to grow, to think, or to feel, I compiled a shortlist of books I think your dad might dig. If you don’t see one below that seems quite like him, check out the full Father’s Day Book List Shelf on Goodreads for my other recommendations!

Featured Parenting Books for Dads

Topping my book list are books that help any Dad become the best Dad he can be. 

Screenshot of book cover of The Opposite of Spoiled by Ron Lieber
The Opposite of Spoiled by Ron Lieber
Screenshot of book cover for Good Inside by Dr. Becky Kennedy
Good Inside: The Guide to Becoming the Parent You Want to Be

The Opposite of Spoiled dives into excellent advice for how to parent kids of all ages and teach financial literacy, responsibility, charity, and even some basic investment advice. The information may be a bit outdated in some respects (pre-Covid), but overall excellent advice to help parents help their children financially excel. 

Good Inside might be my new favorite parenting book. It hits a broad range of topics about relationship development, communication strategies, healthy bonding and attachment, and personal growth that can comebine to make each and every parent better. 

Featured Self-Help Books for Dads

Books that Dad can enjoy while learning to improve himself and enhance his family’s lives. 

Screenshot of book cover for We over Me by Khadeen and Devale Ellis
We Over Me By Khadeen and Devale Ellis
Screenshot of cover of book Cleaning Up Your Mental Mess by Dr. Caroline Leaf
Cleaning Up Your Mental Mess By Dr. Caroline Leaf

We Over Me takes a deep dive into exploring relationship and parenting advice in a practical way. Although a large section of the book is dedicated to describing the story of this power couple who have been together for more than twenty years and are raising four children, there are equally large sections of the book dedicated to discussing communication and parenting strategies, relationship goals and advice, and how to maintain a healthy work-life balance as a working father. 

Cleaning up Your Mental Mess is an in-depth and comprehensive behavioral therapy approach that could help most anyone adjust and reshape a learned behavior through a series of steps. The author has developed an easy-to-follow progressive plan that the reader can use to create a new habit and set of responses or to break out of an established pattern. Adaptive and flexible to nearly every situation, the largest factor that Dad will have to bring to the table is his dedication. 

For History-Loving Dads

Books for dads who love the nerd out/do a deep dive on a specific topic. 

Screenshot for book cover for The Declassification Engine:
The Declassification Engine by Matthew Connelly
Screenshot of cover of book Good for a Girl by Lauren Fleshman
Good for a Girl By Lauren Fleshman

If Dad loves a well-researched deep dive into a topic, he may enjoy either of these titles. 

The Declassification Engine explores the history of protected information and documents in the U.S. From encryption to scandals, from leaks to staged releases, from data management to AI-generated solutions for mismanagement; this title is a wealth of information. 

Good for a Girl is perfect for a father of a female athlete. This title explores the areas of girls and women in sports at all levels, from introductory to professional, and the physiological, psychological, and sociological impacts and challenges. While the writer may be a runner, the information contained within applies to women in every sport. 

Fiction with Fatherhood as a Theme

Books for Dads who love to be told an interesting story that explores the theme of “fatherhood.” 

Screenshot of the book cover for The Curious Incident of the Dog in the Night-time by Mark Haddon
The Curious Incident of the Dog in the Night-time By Mark Haddon
Screenshot of book cover for Fairy Tale by Stephen King
Fairy Tale By Stephen King

The Curious Incident is one of the most unique books I’ve read recently, as the narrating character speaks from a neurodivergent perspective. A young teenager/pre-teen, I suspect his voice will feel both achingly familiar and charmingly young to a reader over thirty years old. It is a relatively short read/listen but packs a real punch.

Fairy Tale, on the other hand, is a monster of a tome and well worth the journey at the end. If Dad is already a fan of Stephen King, you may not have to sell him on this too hard, but if not, I think he’ll enjoy all the classic elements he’ll see here. It’s not horror, but there are some frightening moments in the adventure, and a solid and heartfelt lesson learned along the way. 

So that’s it! This is my book list of top recommendations for dads, out of the books I’ve read in 2023. 

For more suggestions, take a look at this blog with my Top 5 Book List of 2022 or visit Goodreads and peruse my Father’s Day Book List Shelf.

Happy reading, and Happy Father’s Day! 

Got Suggestions for this Book List?

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Tool for Children’s Book Writers (& Parents!): Accelerated Reader Bookfinder

Children reading a children's book. Boy and girl sitting next to a window.

For more than 20 years, the Accelerated Reader (AR) program has been helping kids read children’s books they enjoy, at their own pace. Readers of all levels can choose an AR book, read their way through it, then take a computerized quiz to assess their understanding and sometimes earn class credit. 

Educators across the US use it, and hundreds of thousands of kids across the country read millions of pages every year because of it. If you’re a parent of a child of any age, you’ve probably already heard of AR. 

But if you’re a parent who is looking to contribute more to your child’s reading goals and even help them find new books to read, or if you’re a writer of children’s books looking to keep up with trends, find stories comparable with your own work, or identify the reading level of your work, the Accelerated Reader Bookfinder website can be a great resource. 

This blog aims to provide both parents and kids lit authors an introduction and overview of how to use the AR Bookfinder site. Let’s take a look! 

Accelerated Reader Bookfinder logo for childrens book database
The Accelerated Reader Bookfinder website is a comprehensive database of information about children's books.

Using AR Bookfinder Website

Whether you’re a parent or you write children’s books of any level — from elementary to mid-grade, juvenile, or YA books — use the AR Bookfinder website for basic research. 

Now, when I was a kid participating in Accelerated Reader, there was no website–there was no internet. If I wanted to know what reading level a book was or how many points it was worth, I had to actually go to the library and examine the sticker on the spine of the book or ask the librarian. How times have changed!

Accelerated Reader Bookfinder welcome page for children's books
On the Welcome page, select the “Parent” option to explore AR Bookfinder without creating an account.

When you first land on the AR Bookfinder welcome page, you need to identify yourself as a student, parent, teacher, or librarian. Whether you’re a parent or a writer of children’s books, you can use the “parent” option to browse the website without creating an account.

For Parents: Confirm AR Children's Books, Reading Levels, & Points

Once you have identified yourself as a parent, use the “Quick Search” option to enter a title that your kid is interested in, to confirm whether it is an AR book, what reading level it is, and how many points it’s worth. You can also search an author name to see which of their works are AR eligible.

I’m lucky, personally. My kid is an excellent reader(!), but I have to constantly remind him to collect his AR points and meet his goal to earn the grade for his language arts class. Luckily, most of the books he’s interested in are in the AR Bookfinder database. 

We are sometimes at our favorite local thrift bookstore or the public library, or a friend will offer to let my son borrow a book, and with a quick search, we can find out whether a title he’s interested in is an AR book.

(In fact, one of our favorite books of 2022 — See You in the Cosmos — was one we borrowed from the public library then found out on AR Bookfinder that it was worth 10 points!)

For titles that may have multiple versions in print, it may be important to look more closely at the details of each book on your search results list. Some versions may be abridged, a graphic novel or illustrated version, or an annotated or enhanced version of the book–all of which might affect the reading level and point value. 

AR Bookfinder children's book results list of different versions of Alice in Wonderland
A popular title like “Alice in Wonderland” may have several versions available for your child to enjoy and earn AR points.

Advanced Search Options

If you’re not sure of the title or author name, or if you want to check more details about a book series, use the “Advanced Search” tab for more search options.

AR Bookfinder childrens books advanced search options and menu
Use the AR Bookfinder Advanced Search options to filter specific results.

By using the Advanced Search tab, you can peruse a specific children’s book series to see which titles earn AR points, or you can choose the “Interest Level” (i.e., reading level) to browse titles that might appeal to your child. 

Select from Lower Grade (K-3), Middle Grade (4-8), Middle Grade (6+), and Upper Grades (9-12) to filter a list that meets your child’s unique reading needs.

Use the Additional Criteria options to select a topic that your child is interested in (not just genres, but think of this more similar to tags, like “adventure” or “history”), as well as filter to look at only fiction or nonfiction children’s book titles.

If you have no ideas or starting points for your search, and your kid needs suggestions of children’s books, keep reading! The section below details how to use the “Collections” tab on the AR Bookfinder website to search for new titles, authors, or series your little one may love.

AR Bookfinder Tips For Children's Book Writers

As a new or still-learning children’s book writer, it can be tricky to know exactly what reading level or grade level you’re writing for. These “levels” may differ based on subjective criteria such as word choice, sentence structure, and topic.

Maybe you have an idea for a kid’s book, and you’re not sure who your audience is or exactly what age they are.

Or maybe you’re prepping your query letter and submission info for agents and you need to gather titles of children’s books that are comparable to yours. Either way, using the “Collections” tab in AR Bookfinder can help.

Explore "Collections" for Comps & Reading Level

Writers (and parents!) can use the “Collections” tab to explore two things: recent award-winning children’s books and trending and popular kids books.

AR Bookfinder website showing childrens book writers how to explore the Collections tab.
Use the “Collections” tab to explore award-winning children’s books.

Now, it’s possible that these lists will overlap, but just because something is award winning doesn’t mean it’ll be popular! And just because a title is popular with kids in a certain age group doesn’t mean it was critically acclaimed.

Checking out both options in the Collections tab can give you a full picture of what’s going on in children’s book publishing and how to position your title. 

When you select the Collections, tab you will see these two main options to peruse through the database.

By selecting the “plus sign” next to one of the options, you expand the menu for more specific information.

Under “Awards,” for example, you can find links to specific children’s book award lists, such as the Newberry Medal and the Coretta Scott King Award. 

AR Bookfinder collections show award-winning children's books
Use “Collections” to browse award-winning children’s books.

On the other hand, selecting the plus sign next to “What Kids Are Reading” opens a sub-menu with the three most recent calendar years. Select a year to open the next sub-menu, which says “Top 20 Fiction/Nonfiction Books of [YEAR]”.

When you select this menu, the next sub-menu opens, separating out each grade with a link. You can then explore the top 20 books for kindergarteners, first graders, etc., all the way through high school seniors.

AR Bookfinder children's books top 20 of 2020
Use “Collections” to explore top 20 titles for each grade level in most recent 3 calendar years.

For example, the Top 20 for 11th grade in 2020 includes classic titles such as The Catcher in the Rye and Huckleberry Finn, along with contemporary titles such as Divergent and The Hate U Give

Obviously, many eleventh graders are reading and taking AR quizzes on titles required for a class curriculum, but it’s also obvious that many eleventh graders are continuing to read children’s and YA books in which they’re interested and which are also AR books they can earn points on. 

Track Titles & Reading Goals with Goodreads!

Although the AR Bookfinder website does have a “favorites” feature, which they call the AR Bookbag, that allows you to save a list of titles; however, when using a Parent account, the Bookbag empties/clears its history when you close your web browser. That can be inconvenient for long-term tracking and ideas! 

Instead, our editor Cortni suggests creating a Goodreads account if you don’t already have one (and connect with Cortni on Goodreads!) Using Goodreads’ “shelf” feature, you can easily track all the books you’ve read, the ones you’re currently reading, and ones you want to read. 

Since a Goodreads account will last far beyond your child’s school years, it can be an excellent long-term tool to keep your kid reading far into adulthood. 

And for authors of children’s books, a Goodreads membership and active account can help you connect with your readers and keep them informed of your work and upcoming releases.

Ready to discuss your editing needs? Connect with a children's book editor!

Children's Books Edited by SRD Editing Services

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Self-Editing Tips: Use Ctrl + H to Edit Your Writing

Close up black and white photograph of the keys on a typewriter.

MS Keyboard Shortcuts Are Gold to Edit Your Writing

If you use MS Word on a regular basis to write and edit, you probably already know about the most common keyboard shortcuts. (If you’re not familiar with the long list of Windows keyboard shortcuts out there, check them out now!) In particular, there are several wonderful, useful keyboard shortcuts that will help you level up when you edit your writing.  They open for you a world of time-saving tricks.

Admittedly, my favorite keyboard shortcut is Ctrl + Z, which is “undo.” I frequently make mistakes and immediately want to revert the text or document back to the way it was.

(If only there was an Undo button for life, right? But I’ll settle for Ctrl + Z.)

When you’re an author putting your early-draft manuscript through rounds of self-editing (using this checklist can help!), you can save valuable time and perhaps lower the costs of your professional editing by using a few simple tricks that are built into MS Word.

This article will help you navigate and learn to use one of the most helpful, time-saving keyboard shortcuts available when editing your writing: “Ctrl + H” or “Find/Replace All.” 

"Replace All" Is Misleading: You Need "More"

It’s not as simple as it first sounds. You may hear “Replace All” and think, “Oh! That’s an easy way to edit my writing. I can fix every mistake of the same kind all at once.”

Well, yes, but even more so: no. When you’re using the function for Ctrl + H, there are a few advanced settings to be aware of, and there are a few tricks to make your search-and-find editing sessions easier.

Finding "More"

When you hold the “Ctrl” key while tapping the “H” key, the Find/Replace All pop-up box should open. Select the “More” button in the lower left-hand corner to see the Advanced Menu options. Using these options will level up your results when editing your writing.

Find and Replace All box in MS Word with the "More" button for Advanced menu options circled in red. Helpful for writers editing their own writing.
Click "More" to open the Advanced Settings menu.

Accidentally Replacing Parts of Words

For example, let’s say that while editing your writing, you noticed that you inconsistently used the number “2” and spelled out “two” throughout your manuscript. Now you want to quickly edit and correct all the numbers, according to the Chicago style standards, to ready it for publication. And you want an easy way to fix your number errors.

However, if you simply Find/Replace All appearances of 2 with two at once, without reviewing the advanced settings, you could have problems.

What happens if you use Find/Replace All universally? Well, when that 2 is part of a larger number, like 22 or 287, you’ll end up only replacing the appropriate numeral, creating new errors like twotwo and two87. Neither of these is what you want.

I’ve seen a popular post online (and you might have too) that tells the story of a British publisher that used Find/Replace All with an American book, specifically replacing pants with trousers. Then, the book went to print with occutrousers in the text because the editor did not adjust the advanced settings. Whoops.

How to Search for Whole Words Only

Search for whole words only when editing your writing to ensure greater accuracy
Search for whole words only when editing your writing to ensure greater accuracy.

When you open the Advanced Menu options by clicking on “More,” you’ll see a series of tic boxes in an extended menu. 

The second option down in the left-hand column reads, “Find whole words only.” Select this box to search only for whole words in your Find/Replace all edits. 

To continue our previous example, if you select this option, then search for 2, you’ll see it only brings up instances of 2 that are not a part of larger numbers like 22 or 287

You can see how this would help if you’re searching for pants as an individual/whole world; in that case, no occutrousers

Pro editing tip: 

Using “find whole words only” comes in hand when editing your writing for the word “OK.” People commonly spell/punctuate/capitalize this inconsistently (OK, okay, Ok, Ohkay, O.K.), but the series of letters can be part of many other words.

So if you’re doing a search for ok, it’s appropriate to check the back for “whole words only,” to make sure you don’t pull up words like spoke or stroke or book, look, or took

How many ways have you seen to spell OK? What’s your default?  

Fun fact: CMOS prefers OK but defers to author preference as long as there’s consistency. APA Style does not state a preference, as OK is simply seen as nonacademic and inappropriate.

Personally, I prefer okay, but oh well.

Accidentally Missing Capitalization Errors

Capitalization can be a real pain when you’re searching for words that might be capitalized inconsistently, like asap and X-ray

Again, we have our common offender, OK.

OK is a very commonly used word at the beginning of sentences as well as throughout. So capitalization for it might be all over the place in your manuscript.

Make sure to always check the case if you’re making an edit to a word that the Merriam-Webster dictionary advises specific capitalization. For example, if you want to ensure that any instances of nasa or Nasa become NASA. 

But, in the case of OK, if you know you consistently wrote okay throughout and you want to edit them to OK, do two searches–for okay and Okay--with the case sensitive option turned on to ensure you replace them all with OK.

How to "Match Case" to Self-Edit Your Writing

When you open the Advanced Menu options in the Find/Replace box, you’ll see a tic box next to “Match case.” Check off this box to search for the same capitalization as what you enter in “Find what.” 

Match case to Replace all of the same capitalization when editing your writing
Match case to Replace all of the same capitalization when editing your writing.
Use matchcase and find whole words combined to replace specific words when editing your writing.
Use matchcase and find whole words combined to replace specific words when editing your writing.

Edit Your Writing with A Self-Editing Exercise

Want to practice using these advanced editing options to edit your writing? One good way is to do a thorough round of edits focusing on some of your most overused, easily cut verbiage. 

Not that anything you wrote “must go”…but…probably. 

Two of these overused words/phrases that I am particularly sensitive to are just and a lot of

*sigh*

I challenge you, specifically, to perform advanced searches on your manuscript for these two top offenders. Some people overuse these more than others. *wink* 

To take this exercise even further and give a thorough edit to your writing, check out our blog and the linked video on 29 words you can cut from your novel.

Good luck and happy writing! 

Your Professional Editor

A round of self-editing for your writing is essential, but when you’re ready for a professional touch, contact SRD Editing Services. 

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Creative Writing Tips: How to Watch Movies to Improve Your Storytelling

Early 20th century film projector with light on blue and black background. Creative writing tips for watching movies.

Sometimes, you just want to watch a movie for the fun of it. Sometimes, you want to watch a movie and learn from it. Specifically, if you want to spend some time enhancing your own creative writing skills by watching movies, I think there are a few ways that can be done.

Now of course, movies aren’t the same as books, but neither are TV shows, podcasts, or games. But they all have similarities, and although they employ different types of storytelling techniques, you will widen your own storytelling techniques by familiarizing (or at least, exposing) yourself to storytelling in different media. If you write creative fiction or nonfiction, here’s how you can watch movies in the same genre and critically analyze it to improve your writing.

(BTW: I also already wrote a blog on how to read fiction to improve your own writing.)

Take Notes!

I know, I’m spoiling the fun even more. But my suggestion is to take notes when you’re watching a movie that you want to learn from. It will help you write your best creative writing.

In your notes, it can be helpful to write down the timestamp of the moment in the movie you want to reference. For example, if there’s an example of really great dialogue, pause the movie and find out at what minute and second (for example, 12 minutes and 22 seconds into the movie would be 12:22, or 1 hour, 12 minutes and 22 seconds into the movie is 1:12:22) the scene takes place so you can easily go back to it. 

If you’re watching the film on DVD, you might be able to return to the “chapter” or “scene” using the menu options, so if you have that option and find that easier, use that method instead. 

Watch It Alone

This notetaking process of occasionally pausing the movie to take notes when your creativity or interest is sparked (or sometimes, even, to briefly interrupt watching for a creative writing spurt) will probably annoy other people if you’re attempting to watch the movie with a companion (or several). Opt for times when you can watch the movie alone and without judgment. 

Unless you find someone really supercool and awesome who is unbothered by this way of watching a movie. In that case, pop your popcorn for two. 

Creative Writing Tip 1: The Beginning and End

Of course you may have heard this advice in creative writing classes over the years, but it’s worth saying again.

The first line means something and the last line means something.

So when it comes to movies, there are two aspects of each end of the movie to consider: the visuals and the first line of narration or dialogue.

When it comes to a book, you can start anywhere—inside a character’s head, describing the setting, or giving expository information are only three of many potential methods.

However, movies must do two things at once: they must start with visuals that immediately begin the process of world-building, and they, at some point, include voiceover narration or character dialogue that begins to lay out information relevant to the plot.

Now those are two of the practical functions served by the earliest moments in the movie, but there are several other important establishing elements: time period, mood, intensity, pacing, etc.

Then, at the end of the movie, the concluding scene must do all of the same but in reverse: wrapping up the interactions and plot, character insight, history of the events in the story, mood resolutions, etc.

As you’re watching a beloved (or brand-new-to-you!) movie in the near future consider the following:

  • Who are the first characters seen on-screen? The last characters? Were they significant to the story and why?
  • What emotions did you experience in the opening scene? What about the end?
  • What color schemes were used and how did they set (or resolve) a mood? What built on that mood?
  • How would you have handled it differently if you’d been the lead creative writer?

Then as the movie reaches its conclusion, take note of the last line of the movie. As much as book writers love to obsess over the first and last lines in a movie, good film writers do too.

Even if the line is bad (cheesy etc.) consider if the writer was true to the character and did them justice in the end.

Creative Writing Tip 2: Expressions and Body Language

Acting is very physical. The best actors can (arguably) portray a range of emotions and embody realistic physical movements of a range of characters.

It can be easy to tell rather than show in your writing, but silent acting is pure showing. Watching movies can help you recognize moments where the actors are giving a genuine physical performance, showing their emotions in their facial expressions or their experiences through the movements of their body.

When you come across a scene with particularly great physicality, give yourself the writing exercise to pause the film and see how much you can describe based on purely what you see, without context.

For example, in the movie Red Dragon, I think there is particularly excellent physical acting from Ralph Fiennes. Of course, he’s excellent throughout the movie, but particularly, in the climactic scene where he (as the antgaonist) is facing off against the protagonist, played by Edward Norton. 

The scene begins with Fiennes’s character threatening the life of the teenage son of Norton’s character. At a distinct moment in the scene, without saying a word, Fiennes goes from being threatening toward the boy to being protective of him. And you can see it—in the way Fiennes tightens his arm around the boy, cradling the teenager to his chest; in the way his nostrils flare and eyes widen; in the way he starts to move his body in front of the boy’s, to shield him from harm—when he had been threatening to kill him not a moment before.

It’s a dramatic turn and incredibly well-executed by an actor who shows you what his character is feeling without having him speak a word.  

(Okay, in general, Ralph Fiennes is a fantastic physical actor. I know, I know, he’s Voldemort and all but…well, nobody’s perfect.)

Creative Writing Tip 3: Accents, Sounds, & Speech Patterns

Some stories, especially those set in a particular place and time, have a distinct soundscape. While this most obviously is important for your characters in terms of accents and voices it’s also important in terms of the sounds of the world you’re building.

When you’re setting a scene, it can be easy as a creative writer to focus on the characters themselves, or give a brief description of what a room or setting looks like. But, there is much more to a reader’s true depiction of a place, and one of the key elements is sound. 

Pay attention to how movies utilize sound to build tension, bring a setting to life, and affect mood. If there are animals in the scene, can you also hear them? If there are children, what sounds to they make and how do they contribute to the film? 

How are sound effects used? How can you pace your own writing like music? How can you interject comedy or dramatic delivery through use of sound in your settings? 

Here, I can give you one example of what not to do: in the TV show Gotham, which largely takes place in a police station, there was too much silence. I would notice how, in multiple episodes, entire scenes would take place at the police station, which would have no ringing phones in the background, no slamming doors, no shouting, no squeaking chairs. It would simply be a close-up of the characters, against a dramatically lit and silent background. Like a comic panel, not a TV show, and it ultimately became distracting for me as a viewer, who was used to seeing other cop TV shows where the stations were full of a lot of noise. 

If I’d been a writer on that show, I might have made that suggestion at some point. Perhaps one did, and their idea was rejected. Who knows? But I know that as a viewer, it was too quiet; and if I read a book with the same kind of “silence scenery,” I find it too quiet. 

Be Kind. Rewind.

Watching movies can be a lot of fun and inspiring to writers looking to enhance their creative writing. Some of the movies you find are excellent examples of your genre, you may need to re-watch multiple times and extract the elements you find most useful to you and your process.

But whatever you do, don’t get caught up in being a movie-viewer rather than a writer. Keep writing. 

Ready to talk to an editor about your creative writing or manuscript?

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From “Writer” to “Author of a Book”: 4 Tips for Imposter Syndrome

Black and white image of hands coming together in fist bump. Encouragement for writers who want to author a book

There’s a mental shift for writers when they start calling themselves an author of a book. Many writers seem to find some magic in the term, some kind of promise in the word.

If you are among the group of authors with only one published book, there’s good news. That’s all it takes to call yourself an author. Technically, if you have published only one book, I’d recommend you call yourself an emerging author.

Difference Between a “Writer” and an “Author”

Some people (who risk sounding pretentious) might elaborate on subtle differences between the terms writer and author, but really it just comes down to: have you published a book yet? Fiction or nonfiction, any age genre (adult, YA, children); authors with only one published book are still the author of a book.

Now, there are many types of writers.

Screen writers are highly involved in your favorite TV shows and movies. Copywriters craft the ads, commercials, and most of the social media posts (and blogs!) that you see.

Poets are writers who specialize in poetry. A fiction writer might not necessarily be an author of a book. Many fiction writers are accomplished at short form and focus on flash fiction or short stories.

Nonfiction writers compose essays, magazine and website content, and online tutorials and articles.

Technical writers compose textbooks, guidebooks, and manuals.

You can make an excellent living, engage many interests, and master many forms and platforms as a writer, without ever becoming the author of a book.

But if you do finish that first draft of your manuscript, you’re one step closer to calling yourself an author. Now, all you have to do is publish.

Imposter Syndrome

Not to gloss over the sometimes-difficult, multistep process of publishing, but…

One of the challenges that can keep many people from making the transition from writer of a manuscript to author of a book is imposter syndrome.

Imposter syndrome is a situation in which a person feels or states that they are not worthy of their achievements or of acclaim, despite evidence to the contrary. People who struggle with imposter syndrome report feeling like a “fraud” or like they’ve fooled others into thinking highly of them.

I think you can see why this is a mindset that might (sometimes) affect writers (even very talented ones.) I have worked with people who had run multiple successful companies, had raised incredible children, had lived through extreme and extraordinary circumstances who all told me that they weren’t sure they could be an author of a book because they weren’t sure that anyone would be interested in their stories or ideas.

Every book you’ve ever read, every author you ever admired, began as a writer who decided that, even if they weren’t sure anyone would be interested, they were going to publish their book anyway.

Funny cartoon from Science of People showing two pie charts. One blue and one yellow.
From The Science of People, “The 5 Types of Imposter Syndrome (and How to Overcome It!)”

Becoming a Successful Author of a Book

Now, that’s not to say that publishing a single book will let you live the life of your dreams. Authors with only one published book have a long road ahead of them. Being an author is not the same as being a successful author. Generally, emerging authors tend to publish about seven or eight books; those authors who earn $100K per year or more have an average of thirty-three books to their names.

It can be helpful to consider your definition of success. An annual income of $100K as a book author is one measure of success. You might consider what else are elements of your personal success story—a successful launch party; a successful book signing or public speaking engagement; a successful media tour; a successful establishment of a Facebook group or other social media space to connect with your readership.

There are many standards by which you can measure success once you’re the author of a book, and you can build on those successes.

Writing through Imposter Syndrome

But first, in order to complete that all-important initial step from writer to author, you have to get past the dreadful imposter syndrome. There are many different approaches, but here are a few of my favorites that I’ve seen work over the years for different authors working on their first book.

Talk Back to Negative Voices

You can do this out loud (if you’re in a comfortable environment), or you might type it up as a dialogue screen in a blank document. When a negative thought tells you that you should stop writing, shouldn’t tell your story, or that you’ll never be the author of a book, you respond back to the thought with either a question like, “Is that really true?” or a statement that conveys the idea that “Your opinion isn’t welcome here.”

I find it can be particularly helpful to get this all out at the beginning of a scheduled or impromptu writing session. If you have half an hour to write, spend the first two to three minutes telling your self-doubt to take a hike…at least for the next twenty-eight minutes.

Let Negative Thoughts Sputter Out

Along the same lines, if you don’t find that talking back to negative self-criticism or doubt is the right approach for you, instead, try to imagine those thoughts being said to you by an angry toddler—fragmented language and all. Then, spend two to three minutes writing up what the negative toddler–thoughts are saying. You might find that—very quickly and like a toddler—the negative self-talk will run out of steam. Or you might find yourself laughing if you’re very good at writing a toddler’s voice, and in that case, consider becoming the author of a book for children.

Lock Away Negative Voices

You can also manage negative self-talk from imposter syndrome using visualization techniques, including “shrinking” the source of this critical inner voice. Visualize the person (or people) whose voices embody the negative thoughts, then visualize that person shrinking, becoming small, small enough that you can drop them into a glass jar on which you tightly screw the lid, muting the voice. If you hear multiple voices or inner critics, repeat the process with each person/thought until they are all secured in these mental glass jars. Then, place all the jars in a mental cabinet, close the door, and physically lock it. Now, sit down to write.

Try the Mirror Technique with a Writerly Twist

You have probably heard of the motivational process/Law of Attraction of repeating positive mantras (or affirmations) to yourself in the mirror, daily, in order to boost confidence, increase self-compassion, and focus your mental energy—aka, the mirror technique. This is a great idea, of course, and there is some research showing that mirror affirmations may help support student achievement (in certain circumstances); so why not writers?

The basic mirror technique is simple: You spend at least 1 minute in front of the mirror repeating to yourself positive, self-affirming statements. (Some say you can simply think the statements, but I suggest speaking them aloud.) General recommendations include phrases like, “I can do anything I put my mind to” or “I am worthy.”

For writers, and specifically a writer who wants to become the author of a book, I recommend trying author-motivational phrases such as: 

  • “I am an author.”
  • “All it takes is one published book.”
  • “All of my favorite books started as ideas.”
  • “I am creative.”
  • “I can write my way out of any plothole.”
  • “You can edit a bad draft, but you can’t edit a blank page.”

If you have another writer-related motivational phrase, give it priority in your daily affirmation routine.

Image of a small cat looking in mirror at reflection of a lion with the caption "What matters most is how you see yourself." Encouragement for writers and author of a book.

If you don’t have a daily affirmation routine, you can always try this as a practice to pump yourself up before writing time. Give yourself a one-minute pep talk, then sit at your keyboard and let the imposter syndrome watch you work.

Whatever you need to do to become the author of a book that you want to be, keep writing.

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Top 5 Books of 2022

Neon sign in purple, pink, and blue that reads "top 5" indicating top 5 books read and reviewed in 2022

The SRD Editor List of Favorite Books Read in 2022

As an avid reader, I’ve been on Goodreads for years. I love being able to track what books I read and share with others the ones I feel most strongly about. In 2022, I began listening to audiobooks that I borrow from my local library on the Libby by Overdrive app. I love it! I have a commute. I have to cook dinner. I can’t always be sitting with my nose in a book, but I can (almost) always be listening to a  book while doing something else. I’m hooked! 

So in 2022, I borrowed 68 audiobooks from my library. Although Goodreads shows I read 88 books, it counted some story or essay collections separately (Sherlock Holmes and Karl Marx, in particular). Plus, I also read a couple physical books that made their way into Goodreads. So I probably read about 75-ish total. 

Don’t ask me to pick a single favorite! I might blow a circuit trying to figure it out. 

But I have narrowed it down to a *few* of my top recommendations. 

After I finished these audiobooks last year, I posted about them to my personal Facebook circle. So below, you’ll find that original, casual review. But, as a bonus, because I professionally write book reviews as well, I’ve included a bit more of a comprehensive review in this blog. I also tag the books I read to keep track of genres, so I’ve included those below as well. 

Warning: Spoilers ahead!

These book reviews may contain some details that could affect your reading of the book. I’ve tried not to give away too much, however. 

Oh! And connect with me on Goodreads! I love to add to my “Want to Read” list when I see my connections recommend a book! 

This page contains affiliate links. SRD Editing Services may receive a commission if you purchase a product through one of our affiliate links. Thank you!

⭐⭐⭐⭐⭐
By: Celeste Ng
 
This started as a slow burn for me. Probably wasn’t really until the end of Chapter 2 before I was interested but I was hooked by the end of Chapter 10. I kind of always wanted to be Mia, but I was probably actually Izzy. But at least I never burned the house down. 🔥😁
 
This story is especially pertinent now, in the wake of over turning Roe v. Wade. 

 It’s about mothering, motherhood, and who “qualifies” as a mother — which, mothering was central to my Master’s thesis, btw. If this book has been published when i was writing my thesis, i would have used it. It has so much to say.

It’s set in the 90s, just a couple years ahead of my own life and social development.

I remember pretty much everything mentioned but i remember it as a child. Reading about the events as an adult is different. Strikingly, painfully different now that i know what happened after 2001. The world can never be the way it was in the 90s. You can never go home again.
 
Especially after you’ve burned it to the ground. 🔥 Great job, Izzy. Well done.

Extended Review...

“Motherhood” is composed of many decisions, daily, and it presents in many different ways. This story gave an interesting analysis of different types of mothers, what “mothering” can look like, and what makes a truly excellent mother. There’s a contrast between the suburban, idyllic mother, who embodies many of the stereotypes sold on TV as ideal mothering, a birth-mother who gives up her daughter for adoption due to temporary struggles and the adoptive mother who doesn’t want to give the daughter back when the birth-mother asks for her, and a surrogate mother who, during pregnancy, realized she did not want to give up the chance to be a mother and who steals the baby from the couple she is surrogating for. All of these women are flawed; all of these women define themselves as mothers, although their priorities and approaches are vastly different. 

The definition and portrayals of mothers changed vastly in the 1990s, the time period for the story, and the book faces those challenges with grit and heart. In a decade when women were fighting to institute a more fair and truly family-friendly approach to motherhood, women seemed to also be fighting each other over who was entitled to those motherhood rights. Which is unfortunate, and perhaps the women of today’s generation can examine if, and how, gendered treatment of one another has changed. From “mean girls” to “mean moms,” how is today’s generation approaching the community of sorority differently? I’m not sure the book answers these questions, but to pose them for examination is one of the first challenges, and the story certainly makes a display of the importance of these ponderings. 

Tagged: women’s lit, 21st century lit, mom lit, movie

Readers should be aware of sensitive content including sexual activity in teenagers, destruction of property, and discussions of abortion. 

⭐⭐⭐⭐⭐
By: Anthony Bourdain
Read by the author

Everyone should read this book. Everyone. If you’ve ever worked at a restaraunt, known someone who works in a kitchen, eaten at a restauraunt, or plan to eat at a restaurant. EVERYONE.

Foul-mouthed. Fast-paced. Full of life.

Sure he talks a bit about his life. But what he regails in elegant prose and sharp-tongued truth is kitchen life. Who you’ll meet in a kitchen. How you’ll grow. And the grit it really takes to run a great restaurant.

Now, this book is old. Pre-food network glory days. But it’s destined to be a classic of nonfiction prose. One for the ages.

RIP. 💔

Extended Review...

As someone who worked in kitchens (fast food and delis) as a teenager, I felt a deep connection and identification with Bourdain’s content. And as a frequent reader of memoir, I found this to be a unique description more about the actions and lessons learned in his life than the events of it, which was not only refreshing but insightful and helpful thanks to his practical advice and world-wise perspective. 

Tagged: memoir, funny, 21st century lit, science

Readers should be aware of sensitive content including adult language and drug use. 

⭐⭐⭐⭐⭐
By: Jojo Moyes

5 glowing stars.

Excellent. A place I’ve never been before (Depression-era Kentucky), full of characters with unique voices, and a story I’ve never heard before. One in which gritty librarians are the heroes. Full of #girlpower. Honestly, I’m not sure if it gets better than this.

There’s a lot of debate in writer communities about prologues. Are they good? Bad? Necessary? Annoying?

To offer a little *spoiler*: I think the prologue in this book is crucial. 

You couldn’t cut it. It’d be an entirely different story. That’s all I’ll say about that. 🤐

I’ll be checking out more from this author. ❤️

Extended Review...

There’s always something I appreciate when reading about characters who are dirt poor. I mean, stuffing holes in the cracks in the wall to keep out the cold, no shoes in frozen ground, bathes once a year in a hot bath, seasons broth with tree bark, live off the land, dirt poor. It feels more real somehow, more urgent, than reading about characters whose lives are full of diamonds and satins and warm fires in gilded fireplaces. Maybe it just makes me appreciate living in moderate comfort in modern times, but it feels more approachable. 

In particular, I love to read about the lives of “everyday” or common women in the past. Even if they are fictitious. The lives of the rich and famous, the lives of aristocrats and social figures is nice and all — queens are certainly fabulous — but there’s something simultaneously sweet and raw in reading about peasant women whose lives didn’t have a huge impact but whose stories are larger than life. 

So maybe that’s why I loved this book so much. Because I love when I get to connect with women from the past and see all the ways in which their lives might be similar to my own. 

Tagged: historical lit, women’s lit, romance

Readers may need to be made aware of sensitive content including adult language, death/murder, and physical abuse of women/children.

⭐⭐⭐⭐⭐
By: James Clear

I could give this 10 stars. Remarkable. Genuinely a book that I think everyone could benefit from. Clear breaks down some of the most useful and successful concepts in cognitive behavioral therapy into practical, applicable advice. Want to implement a good habit? There’s a trick for that. Want to break or replace a bad habit? There’s advice for that. Not too technical or full of jargon. An approachable self-help manual to improve any area of your life. I cannot recommend this book enough. I may actually buy a physical copy for myself and everyone i know. ❤️

Extended Review...

As someone who has read extensively into psychology topics, I love the idea of behavior modification through proven/easy-to-implement techniques. In particular, I love how simple Clear makes this. He doesn’t say it will be easy, but he does help readers make it as easy as possible. 

Some of these concepts I was familiar with and have used before, such as “habit stacking,” which is when you build on one habit by attaching another to it. For example, if you have a medication you need to take every morning, you attach it to something that’s part of your existing routine, like brushing your teeth. Brush your teeth. Take the medicine. Stack one habit on another to make your routine easier and optimize your habit building. 

Clear focuses on behaviors, and although he touches a bit on the “cognitive” part of cognitive behavioral therapy, he keeps the focus on the manageable actions. I think that’s best for most people. Some people need a deeper dive into their thoughts and changing their thought patterns to have better control over their behaviors, but most people mainly need the awareness of the behavior in the first place in order to initiate change. 

Clear makes the topic easy and guilt-free. It’s a solutions-first approach rather than heavy on analytical techniques or digging into the “why,” and that’s why I think it’s so successful and approachable for so many people. 

Tagged: self-help, psychology

There is no sensitive content readers should be aware of. 

⭐⭐⭐⭐⭐
By Chuck Palahniuk

Alrighty then. Picture this if you will: A 13 year old girl with the personality of Tyler Durden has died of a marijuana overdose and gone to hell. 🔥 She becomes the weirdo freak character in a twisted version of the Breakfast Club and together, she and a group of fellow misfits relive a rendition of Dante’s Inferno, where she works a call center reminiscent of the Sorry to Bother You movie, then squares off against the most evil characters in world history to live the most wacky and triumphant afterlife imaginable. 😈

This might be my favorite book I’ve listened to this year. Wild. Self-righteous. Zany. Completely unhinged. Disgusting. Hilarious. Sharp and sardonic. I don’t know how else to describe Palahniuk.

If you’ve never read any Palahniuk before, this isn’t the worst place to start. But just know, you may think you’re losing your mind, and you may also love every damned minute of it.

Extended Review...

Chuck Palahniuk has become synonymous with weird, building a legacy on his twisted tales that take the reader places they’ve likely never been before. And although male writers often err when writing female characters, Palahniuk has found a way to channel the sarcasm, biting critiques, and attitude of outraged angst so typical in his characters into a perfectly believable teenage girl. 

One of the elements that contributes to Palahniuk’s success in his craft is his ability to handle unreliable narrators. Here, the narrator either is insecure and embarrassed, lying to give a better impression while knowing she’s unreliable. Or, she starts off in denial of her situation, and it is only after she faces the unique and tragic circumstances that got her to hell can she be relied upon (either by the reader or other characters). I’ll let you be the judge. 

However, once she empowers herself with the truth, her redemption/revenge arc is an extraordinary adventure.

Tagged: 21st century lit, adventure, women’s lit, fantasy, funny, horror

Readers should be warned about sensitive content including adult language, self-harm and suicide, drug use, and sexual activity among teenagers.  

Honorable Mention

The Book Eaters
By Sunyi Dean
⭐⭐⭐⭐

Tagged: adventure, women’s lit, 21st century lit, Mom lit, LGBTQ, horror, sci-fi

4.5 stars. In a world where some people consume and grow from literature and some people consume and grow from others’ minds, how does a mother protect and care for children who are seen as monsters and who can quickly become monsters? 📚

I loved this. Every minute of it. The prose is gripping and the plot takes several unexpected twists. Including how Lgbtqia+ this book is (it’s the first book I’ve read this year with a character who self-identifies as ace.)🏳️‍🌈

Part Handmaid’s Tale, part Frankenstein, mixed into a new nightmare. 🧟‍♀️

The ending isn’t what i expected either. And i liked that. It *doesnt* tie up with a nice bow, and what could be more true-to-life?

The audiobook ended with a lovely conversation between the author and the audiobook narrator, which was so interesting and different. As a publishing professional, i love that kind of industry insider content. 😊 

The Seven Husbands of Evelyn Hugo
By Taylor Jenkins Reid
⭐⭐⭐⭐⭐

Tagged: women’s lit, 21st century lit, LGBTQ, romance, funny, movie

If you’ve heard anything about this book, I think it will come as no surprise that I found it extraordinary. What a romance! I cried real tears. Simply heart wrenching and inspiring with an excellent twist at the end. 🙌

I know Evelyn is blonde, but I kept picturing her as Katherine Hepburn or Lauren Bacall. Maybe with a dash of Marilyn Monroe mixed in. Elegant and lovely. Sharp witted. Classy and poised like golden Hollywood always presented itself. A true icon. 👗👠

I can’t say i “liked” Evelyn. But i really loved her. And i won’t say that Celia was perfect, but she was damn sure close. And Harry! Who wouldn’t love Harry? ❤️

I loved the alternating between past and present timelines, with the occassional insert from the gossip columns so we could see how things looked from the outside.

I was on the wait list for this book. Twice. For a total of 5 months. And i devoured it in 2 days. It was well worth the wait and impossible to put down.

Netflix is making a movie, and I see people online concerned that Netflix will “sterilize” the story and focus on only Evelyn’s seven husbands and not her wife. I agree. I really, really hope they don’t do that. 😬

Run, don’t walk, to check this out for yourself.

The Last House on Needless Street
By Catriona Ward
⭐⭐⭐⭐⭐

Tagged: 21st century lit, LGBTQ, psychology, horror

It should be no surprise that a thriller with a blurb from Stephen King on the cover is very good. And this book is.

Although i want horror and spooky all month, what i *didnt* want was serial killers torturing victims, and I was a bit afraid when this story seemed to be heading in that direction. But it took a powerful and well-executed turn, and i think this will stick with me for a long time. 🐱

What really stuck with me is the idea that “monsters” very rarely look like what we expect them to. The weird guy you pass on the street? probably not a monster. But beware the nice looking, the people who seem to have no cracks in their outer presentation.

If you’ve ever wondered what it might be like inside the mind of someone with disassociative identity disorder (aka, multiple personalities) i’d bet this book will give you a pretty clear picture. DID is pretty well always prompted by severe childhood trauma, so be forewarned that’s something that comes with the territory in this story. 💔

By Jack Cheng
⭐⭐⭐⭐⭐

Tagged: kid lit, adventure, mom lit, psychology, 21st century lit, funny, sci-fi
 
This funny, heartwarming adventure was an outstanding audiobook that my son and I enjoyed together. Almost-12-year-old Alex wants to launch his home built rocket into space and ends up launching himself into his own future. Alex is making a series of recordings for the aliens he thinks his rocket will encounter – a golden iPod to update alien life and build on what is contained in the golden record.
Charming. Smart. Thought-provoking. I loved it.
 
⭐⭐⭐⭐⭐
My 9 year old son’s review: “Stunning. It got really deep. The author did a really good job on this one. Five and a half stars.”

And Every Morning the Way Home Gets Longer and Longer 
By Fredrik Backman
⭐⭐⭐⭐⭐

Tagged: 21st century lit, short story, psychology

It’s only an hour-long audiobook, and I bawled beginning at about minute 4 and continued throughout.

A man with Alzheimers recalls and recounts the precious moments of his life with his son, the ghost of his wife, and his grandson, Noah-Noah, whose name he likes twice as much as anyone else’s so he always says it twice (🥺😢😭 ).

It’s beautifully written and performed. It’ll hit home hard.

I do not recommend listening to it at work, where people can walk in your office and you have to explain that you’re fine but just listening to a sad book. Lol.

But i do recommend listening to it. ❤️

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Two Common (and Easy-to-Use) Semicolon Rules

Black examples of the semicolon in different fonts against a white background

Semicolons: Who Needs 'Em?

Black examples of the semicolon in different fonts against a white background

Oh! Semicolons. I, like many other editors, love them. But if you’re a writer who finds the semicolon *the worst, * you have options available to you.

One of those options is that you don’t have to use any semicolons at all if you don’t want to. I won’t pressure you.

But if you want to learn the most basic semicolon rules, here you go. There are only two common semicolon uses that writers may “need” to know. At least, two that are simple enough you won’t have to look them up to remember them.

Starting your round of self-edits with a self-editing checklist can make it easier to finalize your manuscript. If you find that you particularly struggle with semicolons, add them as an item to your personal self-editing checklist. 

Semicolon Rule 1: Compound Sentences without a Coordinating Conjunction

In Grammarian: When you’re joining two independent clauses into a compound sentence without a coordinating conjunction, use a semicolon.

In plain English: When you want to combine two sentences into one and you’re not using and/or/but, you can use a semicolon.

What it means: you never *have* to use a semicolon in this situation. You can separate it into two sentences, or use a comma with the appropriate coordinating conjunction.

When this can be especially useful: when using a pronoun such as it/this/that.

Example:

I ate the pizza. The pizza was delicious.

I ate the pizza, and the pizza was delicious.

I ate the pizza, and it was delicious.

I ate the pizza; it was delicious.

Now I know this is incredibly simple, but it is also clear. (Always start with a basic example when explaining something). You can easily see how we progressed from two sentences to a compound sentence that uses a coordinating conjunction and a comma, to a compound sentence that uses a semicolon and no conjunction.

Honestly, this rule applies even with compound subjects or predicates, with sentences that contain a lot of adjectives or adverbs, and even with sentences chock-full of prepositions.

Example:

I ate the wings and pizza; the wings made me sick, but the pizza was delicious.

I ate pizza and drank Coke; this combination made me sick to my stomach.

I ate pizza and got sick; that got me thinking.

I think the semicolon is particularly helpful in sentences with pronouns it/this//that because you can combine two thoughts that are connected, without having to repeat yourself, while maintaining clearly that the pronoun refers to the immediately preceding noun. Sometimes when the pronoun and the noun to which it refers are separated into two sentences, the meaning becomes unclear.

The process of self-editing your book can be long and tedious, so many people hire an editor instead. It can take a long time.

Now, “it” here *probably* refers to “the process of self-editing your book” but “it” could also refer to “hir[ing] an editor.” Do you see what I mean about ambiguity? Readers may become confused.

(If I came across this in a line edit, I would leave a comment with suggestions on how to rewrite this to ensure the meaning remains clear.)

The process of self-editing your book can be long and tedious, so many people hire an editor instead, which can take a long time. (Indicates hiring an editor takes a long time.)

The process of self-editing your book can be long and tedious, which takes a long time, so many people hire an editor instead. (Indicates self-editing your book takes a long time.)

Semicolon Rule 2: Use semicolons to Separate List Items when Lists Contain Lists

Think of it as “list-ception.”

If you have a list of three or more items, you separate each list item with a comma.

I went to the store and bought milk, eggs, and bread.

Simple enough.

But when one of your list items contains elements that would also be separated by commas, it would create confusion. So you separate the larger (external) list with semicolons and the shorter (internal) list with commas.

Yesterday I went to the post office, picked up groceries, and dropped off my dry cleaning. The groceries I picked up included milk, eggs, and bread.

As a single sentence:

Yesterday I went to the post office; dropped off my dry cleaning; and picked up groceries including eggs, milk, and bread.

Notice I changed the order of items so the contained list would be at the end. This was simply personal preference; I personally think it’s a bit grammatically neater. But it would also be acceptable to keep them in the original order.

Yesterday I went to the post office; picked up groceries including milk, eggs, and bread; and dropped off dry cleaning.

In this original order, it’s a bit easier to see what I mean by “external” and “internal” lists.

Semicolons: Simple as That!

And that’s it! The two most common and easy-to-follow semicolon rules.

Now, there’s different types of editing, which can vary even more depending on which genre the manuscript is or the type of writer you are. Finish your  developmental editing for creative concepts before jumping into your specific technical edits; your manuscript will benefit the most in the end. And your readers will love it! 

Want to learn more about semicolons? Check out this blog from Grammarly which guides you through 5 different ways to use semicolons. 

Happy writing! 

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Self-Editing Tips: Chicago Style Overview of Number Rules

Colorful blocks of different shapes with numbers. Self-editing tips for numbers in Chicago Style.
Colorful blocks of different shapes with numbers. Self-editing tips for numbers in Chicago Style.

Everyone comes to writing with a different background. Different instructors. Different books we’ve read over the years that influence us. Different advice we’ve been given and rules we’ve been told. But when it comes to writing for yourself as a self-published author or prepping a manuscript for traditional publication, you may need to go against the rules you thought you knew and adapt to one style guide or another. These self-editing tips focus on number rules and will help you understand how to follow one particular set of guidelines. 

What are style guides?

Style guides are standardized sets of rules that writers can follow to make their manuscripts consistent internally and with other books that may be their competition.

The most common style guide in commercial book publishing is the Chicago Manual of Style (which is currently in its 17th edition), but many publishers make their own in-house style guides that deviate from the general rules.

Getting Started Self-Editing Tips: What Style Guide Should I Use?

In most cases, whether you’re self-publishing or submitting for traditional publication, the CMoS guide is a great place to start. One of the best self-editing tips that self-publishing authors don’t realize is that if there’s a rule you don’t like and you’re self-publishing, you can make your own rule! Just be sure to apply the rule consistently throughout your writing and to let your editor know about your preference.

Deviating from the Style Guide

For example, CMoS typically defers to the Merriam-Webster dictionary for spellings of words, however, I recently edited for an author who preferred the lesser-used spelling of “advisor” instead of the M-W preference “adviser.” By making me aware of his preference, I was able to help him make sure that his preferred spelling was maintained.

Other examples of deviating from CMoS that I’ve seen include a preference for “healthcare” over “health care” and maintaining capitalization for holy and religious terms that CMoS defaults to downcase.

Self-Editing Tips for Numbers in CMoS

Every style guide starts with a general rule, then specifies more details depending on the specific use and situations a writer might find themselves in.

The General Rule

In CMoS, the general rule is to spell out numbers of one hundred or less. Hyphenate numbers that are two-word phrases.

Additionally, you use the numeral for 101 and higher.

Ex:

He is seven years old. 

We expect ninety-five visitors. 

After 112 years had passed, the house no longer stood tall. 

Self-Editing Tips for Numbers: Some Notable Exceptions

Numbers that begin a sentence

Spell out numbers that begin a sentence, even if it’s a year or large number you would normally use a numeral for. Do not begin sentences with numerals.

Ex: 

Eighteen seventy-five was a memorable year.

Two million dollars was the largest donation. 

To avoid this, if you’d rather use the numeral when self-editing, add wording to the start of the sentence.

Ex: 

Instead of “1875 was a memorable year,” rephrase to:

In 1875, memorable events occurred…

Large numbers

When writing whole numbers in the ten thousands, hundred thousands, millions, or billions, spell out the number

Ex:

We expect ten thousand people to attend the event. 

After one hundred and forty thousand years, the tectonic shifts made the area unrecognizable. 

No fewer than four million results were compiled. 

Money

When writing monetary amounts, use the dollar symbol ($) and the numeral, or a combination of numerals and spelled words in the case of large numbers, rather than writing out the number and the word “dollars.” There is no need to specify “USD.” If using another monetary denomination (euros, rupees, yen, etc.), use the appropriate symbol. If referring to a non-US monetary unit that also uses “dollars,” you may specify the country with a designation before the dollar symbol. 

For example, Canadian dollars are expressed as “C$”, and Australian dollars are expressed as “A$”.  

Ex:

“Hey!” I cried. “You owe me $5!”

On sale this week only for £999.

The average cost of a house in the city is $175,000. 

The facility is expected to generate more than C$2 million annually.

Time

For times, choose between either the specific “a.m.” or “p.m.” designation or a word phrase to describe time — such as “in the afternoon” or “o’clock.” 

For a.m. and p.m., use the numeral and with word phrases, spell out the number.

When precise time is required, use a.m. and p.m.

Ex: 

The package arrived at precisely 4:22 p.m.

The package arrived around four o’clock.

The package arrived at approximately four in the afternoon.

Measurements

OK, so this self-editing tip gets tricky: when using an abbreviation for the unit of measurement, use a numeral. But spell out numbers when measurements are spelled as words.

Ex:

We need a board that’s twenty-two inches long.

We need a board measuring 22 x 4 in.

Dates

You can pretty much always expect to use the numerals when including the entire date. When writing more narratively consider spelling out numbers, especially for ordinals.

Ex:

They will arrive on June 2, 2022.

They will arrive on June second.  

Percentages

In nontechnical manuscripts, CMoS prefers spelling out the word “percent” rather than using the percent symbol (%). 

Ex: 

This year’s turnout was twenty percent higher than last year.

There was an increase of 217 percent over last year.

I only scored forty-five percent on the exam. 

Self-Editing Tips for Number Correction

While writing your draft, chances are that you didn’t have all these number rules in mind. Even if you were mindful of being compliant with Chicago style, the best writers sometimes make mistakes. Once you are ready to put your manuscript through a self-editing checklist for authors, I suggest that one of those rounds of self-editing focus specifically on number rules. 

There are two main ways you can make mistakes with numbers while writing: either you used the numeral where you should have spelled out the word, or you used the word where you should have used the numeral. 

To correct numerals to words

Using CTRL+F, search for all the numerals in your text to confirm that they should be numerals. 

Self-editing tips: To search all numerals, put the following into your search bar: 

^#

This should highlight every numeral, and you can use the navigation panel on the left-hand side of the screen to check that each one is correct.

To correct words to numerals

This is a bit trickier but can still be completed using CTRL+F. 

You will need to search for each number-word individually, at least for one through twenty. (One, two, three, four…etc.) 

Once this is complete, search for the root denomination word of each count of ten. (Twenty, thirty, forty…etc.)

Correct "dollars" to $ and "%" to "percent"

Lastly, you can perform separate searches for the word “dollars” (or other monetary units) and for the percent symbol (%) to find any use of them in the text, then make corrections by spelling out the word instead of using the symbol. 

Nice work! You've successfully followed our self-editing tips for numbers in your manuscript!

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How to Outline Your Novel or Nonfiction Book

Woman editing a stack of papers by hand to demonstrate how to outline your novel or nonfiction book.

In my years as a developmental editor, ghostwriter, and book reviewer, I’ve come across a few tricks to breaking down a good story, and a few tips for assembling one. Maybe you’ve been told before how to outline your novel or nonfiction book, but hopefully this blog will have some new information for you. 

In the discussion about different types of writers — “planners” vs. “pantsers” — I tend to come down closer on the side of “planner.” I look at it like having a road map that helps you know what direction you’re heading, but it doesn’t mean you can’t take detours or stops or double-back along the way. 

Writing is a journey, and here’s a few tips to help you get through it.

About Outline "Rules"

Many writers say to begin a plot or nonfiction book with an outline. You’ve probably done different kinds of outlines repeatedly since the seventh grade.

I wholeheartedly agree that you should outline your novel or nonfiction book, except two things:

First: You’re not in school, so don’t think your outline will be graded. It’s for you, to organize your thoughts. So don’t use Roman numerals or complicated tiered systems if they don’t work for you. Regular ol’ bullet points work just fine.

Second: Take a step back to something even more basic than the outline. First, take three blank pages and plot out your book’s beginning, then the end, and then figure out the middle. One page for each.

First Tip to Outline Your Novel or Nonfiction Book: Begin at the Beginning

The beginning is often the easiest to write. You have figured out where to start; you have a lot of information and world building and context to put in.

Limit yourself to only one page to summarize the most important points for the beginning of your outline. You will expand on it later. No doubt.

Answer Me These Questions Three

The beginning of your story should answer three questions, so you want to address them on the first page, and use them to build the first section of your outline.

  1. What’s the story about?
  2. What does the reader need to know to understand it?
  3. How much does the reader know already?

Your first two chapters should set up the context. Maybe a preface or introduction if you can squeeze it in. But really, you don’t have long to get the reader invested. When you want to outline your novel, include specific points and details about how and where you will hit these points in the narrative. 

Assume your back cover copy has gotten the reader to open to page 1. They’re primed for you to “wow” them. Use a barbed hook to pull them along through the opening pages. Show them that they made the right decision to crack the cover — because you’ve got something to say, you’ve got a story to tell, and you’re talking straight to them.

Getting them hooked is one thing. Interested is another. But really getting the reader to the point where they can say to someone “I’ve read a couple chapters, and I really like it so far” — that’s the first solid milestone.

Give Readers what They Need & Build to Outline Your Novel or Nonfiction

You want your book’s readers to understand the context for the book right away. Weigh in the first page they should clearly know the main theme of your book. Not the thesis statement of it, but what’s at the heart. They should be able to immediately see themselves living inside it for hours.

You want readers to figure out quickly that they have some idea of what’s going on. Don’t overload the beginning, keep them walking through the introduction to the topic or the characters’ world, and give them a few pages to put together familiar pieces. Connect with things similar to what readers have heard or seen before.

The beginning of your book can namedrop or allude to references, and it should convince the reader you know what you’re talking about. Both for fiction and nonfiction.

Keep the Reader Guessing

Although it will be tempting at the beginning, don’t reveal every secret. Don’t list off everything that makes your book different. Let your readers discover why your book is different and tell you when they’ve finished it. Instead, focus on letting them see how the knowledge they bring from their experience as a reader is going to pay off for them in your book.

Then, when they think they have a handle on the topic at hand and the world you’ve created for your characters, drop the first bomb on them. Shatter something the reader took for granted, something they thought they knew and understood. Put something familiar in a new light, and you’ll get them passed the beginning of the book and into its middle.

Second Tip to Outline Your Novel or Nonfiction Book: When You Get to the End, Stop

Next in the outline of your novel or nonfiction book, consider the end of your book. Your ending has to stick, if you want anyone to leave an online review or tell their friends about you. Too often I see writers really dig into the beginning and lose steam by the end. So, outline your book’s ending before its middle.

Use one of your three sheets of paper to brainstorm the answers to the three following questions. 

  1. Where does the reader end up?
  2. How do they feel?
  3. What should they do next?

If you plot the end of your book with clear intentions of the results you’re aiming for, you are more likely to hit them. Consider both issues of plot structure and resolution for character arcs, as well as the emotional ripples you’ll be sending through your readers’ souls. Do you want readers to be better prepared for something in the world? Do you want them to have an emotional reaction? 

Again, considering how your book’s outline functions like a road map, this is your general idea of the destination you want to reach and the welcome you expect on your arrival. 

Outline Your Novel to Avoid "The Curse of the Dragging Middle"

The middle of your book will likely comprise approximately 40 to 60% of your overall content, depending on how thorough you are with your first and final sections. And, I would reckon that “somewhere in the middle” is where 40 to 60% of readership lose interest.  

This is the “meat” in burger that is your book. So your outline can’t “yada yada” past this important section. It may be tempting to rush it, but take as much time considering how to avoid making your middle “drag” as you did with brainstorming how to engage the reader in the beginning. 

Avoid a sagging middle section in your book by addressing four questions:

  1. How do I get the reader from where they are to where I want them to go?
  2. What are the 3 most important things I have to tell them (in 2 sentences each)?
  3. What order should I release this important information?
  4. How can I capture readers’ hearts and minds?

Don’t underestimate the value of having a road map to get you through this important section. If you want people to finish your book, think ahead about the course you’ll guide them along. 

Of course, this first outline isn’t a hard-and-fast rule, and the draft will change. But you’ll know where you’re starting, where you want to end up, and have a vague way how to get there if you outline your novel or nonfiction book.

Ready to talk about how to outline your novel, nonfiction book, or other manuscript?

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29 Words to Cut from Your Novel

tips-words-novel

Each writer lives in a special, unique mind. Each can combine words into glorious chains, never before seen by human eyes. Yet, each writer is also a flawed human, who is liable to trip on the same rubble on the path to beautiful writing as every other writer. (And no writer wants to hear that there are words to cut from their writing…)

Now, first drafts are supposed to be messy. Second drafts, less so. But it’s not easy to clean up the first draft to turn it into the second. Nor is it simple to revise the second draft into the third. As an editor, I know. I’ve been there with my own writing and the writing of others.

Behold! A Video to Help!

Vivien Reis is a writer, editor, and YouTuber

I’ve had this video saved for a couple of years, and I keep referencing it when editing my clients’ fiction and nonfiction. 

When I thought about writing a blog on the topic of editing for word choice, I started to make my own list of words to cut. Then I realized: Why re-invent the wheel? Vivian’s done a spectacular job to begin with.

Instructions for Word Choice Edits & Which Words to Cut

Generally, I suggest writers do at least one edit through their manuscript for “word choice.” As you watch this video, take notes on which of these writing habits you’ve gotten yourself into, which of these words to cut you think might show up in your work. 

Then, open your manuscript. Let’s take a look at the current status. 

Do an automated search for the first word or phrase in question. In MS Word and Google Docs, you can Find specific words or phrases by pressing CTRL + F (or Command + F on Mac) on your keyboard. When you have the results, record the number of appearances in your notes. 

Search for all the words or phrases, without making any changes. First, you’re just gathering info. 

Making Changes

First, let me say: I do not advise that you use “Find + Replace All”.

I advise that you find all instances of a word or phrase, then examine each to determine the necessary action.

Yes. It is tedious. I understand. I have two points for you to consider: 

  1. Writing the book was tedious. You did that though. You can do this part.
  2. If you don’t do it, you can always pay your editor to edit these out for you. 

The reason I do not advocate that you simply “delete all” uses of a word or phrase, is that it will cause additional unintended effects. Trust me. Especially if what you Find & Replace can sometimes appear as part of another word. 

Instead, work your way through the words and phrases you’d like to cut or revise, search for each individually, then examine each occurrence and make a decision about how to handle each of them.

Some Words to Cut / "Big Offenders"

In the video, Vivian points out some of the biggest offenders that have become littered across contemporary writing. These are words — typically, adverbs — that can easily be removed, and generally when they are, your sentence will lose no meaning. 

Here is my “Big Offenders” list of words to cut. I commonly see each of these, and spend a significant amount of time and energy making sure to reduce their use.

  • very
  • just
  • that
  • “began” or “started”
  • “a bit,” “a little,” “a lot,” and other imprecise amounts
  • “kinda,” “sorta,” “almost,” and other hedging words
In particular, I see “just” frequently used, so I’ll pick on it as an example. Unless you’re discussing the concept of “justice,” limit the use of “just.” Just is just one of those words that just works itself into a sentence just about anywhere.

Bonus Thoughts on Words to Cut from Your Writing

What else do I look at when editing? Two other things I notice frequently that I suggest you examine in your manuscript: 

  1. “Parallel action”: You can find this by searching for the use of ‘as’ in your writing. It usually appears in dialogue tags, as in: she said as she walked or he thought while grabbing his hat. Of course, you will need to use this sometimes. Remember to vary your sentence structure.
  2. “Extreme hyperbole”: Examine your fight or action scenes. Do your characters often overexert themselves? I often see phrasing like as hard as she could or with the last of his strength, only to have the character continue to escalate the action after that phrase. Consider how to build tension Show the exertion, rather than tell about it.

Maybe these aren’t words to “cut,” but they are certainly things you want to be mindful of. 

Ready to talk about editing?